“Blind! Not he!” cried the Widow Laroque. “He was the Old Boy himself; I told you—it is always as I say, you see now—it was the old Devil himself.”

However that might be, there are yet people in Viger who, when the dust blows, and a sharp storm comes up from the southeast, see the figure of the enraged pedler, large upon the hills, striding violently along the fringes of the storm.


PAUL FARLOTTE.

NEAR the outskirts of Viger, to the west, far away from the Blanche, but having a country outlook of their own, and a glimpse of a shadowy range of hills, stood two houses which would have attracted attention by their contrast, if for no other reason. One was a low cottage, surrounded by a garden, and covered with roses, which formed jalousies for the encircling veranda. The garden was laid out with the care and completeness that told of a master hand. The cottage itself had the air of having been secured from the inroads of time as thoroughly as paint and a nail in the right place at the right time could effect that end. The other was a large gaunt-looking house, narrow and high, with many windows, some of which were boarded up, as if there was no further use for the chambers into which they had once admitted light. Standing on a rough piece of ground it seemed given over to the rudeness of decay. It appeared to have been the intention of its builder to veneer it with brick; but it stood there a wooden shell, discolored by the weather, disjointed by the frost, and with the wind fluttering the rags of tar-paper which had been intended as a protection against the cold, but which now hung in patches and ribbons. But despite this dilapidation it had a sort of martial air about it, and seemed to watch over its embowered companion, warding off tempests and gradually falling to pieces on guard, like a faithful soldier who suffers at his post. In the road, just between the two, stood a beautiful Lombardy poplar. Its shadow fell upon the little cottage in the morning, and travelled across the garden, and in the evening touched the corner of the tall house, and faded out with the sun, only to float there again in the moonlight, or to commence the journey next morning with the dawn. This shadow seemed, with its constant movement, to figure the connection that existed between the two houses.

The garden of the cottage was a marvel; there the finest roses in the parish grew, roses which people came miles to see, and parterres of old-fashioned flowers, the seed of which came from France, and which in consequence seemed to blow with a rarer color and more delicate perfume. This garden was a striking contrast to the stony ground about the neighboring house, where only the commonest weeds grew unregarded; but its master had been born a gardener, just as another man is born a musician or a poet. There was a superstition in the village that all he had to do was to put anything, even a dry stick, into the ground, and it would grow. He was the village schoolmaster, and Madame Laroque would remark spitefully enough that if Monsieur Paul Farlotte had been as successful in planting knowledge in the heads of his scholars as he was in planting roses in his garden Viger would have been celebrated the world over. But he was born a gardener, not a teacher; and he made the best of the fate which compelled him to depend for his living on something he disliked. He looked almost as dry as one of his own hyacinth bulbs; but like it he had life at his heart. He was a very small man, and frail, and looked older than he was. It was strange, but you rarely seemed to see his face; for he was bent with weeding and digging, and it seemed an effort for him to raise his head and look at you with the full glance of his eye. But when he did, you saw the eye was honest and full of light. He was not careful of his personal appearance, clinging to his old garments with a fondness which often laid him open to ridicule, which he was willing to bear for the sake of the comfort of an old pair of shoes, or a hat which had accommodated itself to the irregularities of his head. On the street he wore a curious skirt-coat that seemed to be made of some indestructible material, for he had worn it for years, and might be buried in it. It received an extra brush for Sundays and holidays, and always looked as good as new. He made a quaint picture, as he came down the road from the school. He had a hesitating walk, and constantly stopped and looked behind him; for he always fancied he heard a voice calling him by his name. He would be working in his flower-beds when he would hear it over his shoulder, “Paul;” or when he went to draw water from his well, “Paul;” or when he was reading by his fire, some one calling him softly, “Paul, Paul;” or in the dead of night, when nothing moved in his cottage he would hear it out of the dark, “Paul.” So it came to be a sort of companionship for him, this haunting voice; and sometimes one could have seen him in his garden stretch out his hand and smile, as if he were welcoming an invisible guest. Sometimes the guest was not invisible, but took body and shape, and was a real presence; and often Paul was greeted with visions of things that had been, or that would be, and saw figures where, for other eyes, hung only the impalpable air.

He had one other passion besides his garden, and that was Montaigne. He delved in one in the summer, in the other in the winter. With his feet on his stove he would become so absorbed with his author that he would burn his slippers and come to himself disturbed by the smell of the singed leather. He had only one great ambition, that was to return to France to see his mother before she died; and he had for years been trying to save enough money to take the journey. People who did not know him called him stingy, and said the saving for his journey was only a pretext to cover his miserly habits. It was strange, he had been saving for years, and yet he had not saved enough. Whenever anyone would ask him, “Well, Monsieur Farlotte, when do you go to France?” he would answer, “Next year—next year.” So when he announced one spring that he was actually going, and when people saw that he was not making his garden with his accustomed care, it became the talk of the village: “Monsieur Farlotte is going to France;” “Monsieur Farlotte has saved enough money, true, true, he is going to France.”

His proposed visit gave no one so much pleasure as it gave his neighbors in the gaunt, unkempt house which seemed to watch over his own; and no one would have imagined what a joy it was to Marie St. Denis, the tall girl who was mother to her orphan brothers and sisters, to hear Monsieur Farlotte say, “When I am in France;” for she knew what none of the villagers knew, that, if it had not been for her and her troubles, Monsieur Farlotte would have seen France many years before. How often she would recall the time when her father, who was in the employ of the great match factory near Viger, used to drive about collecting the little paper match-boxes which were made by hundreds of women in the village and the country around; how he had conceived the idea of making a machine in which a strip of paper would go in at one end, and the completed match-boxes would fall out at the other; how he had given up his situation and devoted his whole time and energy to the invention of this machine; how he had failed time and again, but continued with a perseverance which at last became a frantic passion; and how, to keep the family together, her mother, herself, and the children joined that army of workers which was making the match-boxes by hand. She would think of what would have happened to them then if Monsieur Farlotte had not been there with his help, or what would have happened when her mother died, worn out, and her father, overcome with disappointment, gave up his life and his task together, in despair. But whenever she would try to speak of these things Monsieur Farlotte would prevent her with a gesture, “Well, but what would you have me do,—besides, I will go some day,—now who knows, next year, perhaps.” So here was the “next year,” which she had so longed to see, and Monsieur Farlotte was giving her a daily lecture on how to treat the tulips after they had done flowering, preluding everything he had to say with, “When I am in France,” for his heart was already there.

He had two places to visit, one was his old home, the other was the birthplace of his beloved Montaigne. He had often described to Marie the little cottage where he was born, with the vine arbors and the long garden walks, the lilac-bushes, with their cool dark-green leaves, the white eaves where the swallows nested, and the poplar, sentinel over all. “You see,” he would say, “I have tried to make this little place like it; and my memory may have played me a trick, but I often fancy myself at home. That poplar and this long walk and the vines on the arbor,—sometimes when I see the tulips by the border I fancy it is all in France.”

Marie was going over his scant wardrobe, mending with her skilful fingers, putting a stitch in the trusty old coat, and securing its buttons. She was anxious that Monsieur Farlotte should get a new suit before he went on his journey; but he would not hear to it. “Not a bit of it,” he would say, “if I made my appearance in a new suit, they would think I had been making money; and when they would find out that I had not enough to buy cabbage for the soup there would be a disappointment.” She could not get him to write that he was coming. “No, no,” he would say, “if I do that they will expect me.” “Well, and why not,—why not?” “Well, they would think about it,—in ten days Paul comes home, then in five days Paul comes home, and then when I came they would set the dogs on me. No, I will just walk in,—so,—and when they are staring at my old coat I will just sit down in a corner, and my old mother will commence to cry. Oh, I have it all arranged.”