NOTES:
[6] Roubiliac's first workshop.
[7] It was at the Turk's Head that were held the meetings of the famous LITERARY CLUB, founded by Reynolds. Johnson, Burke, Dr. Nugent, Beauclerk, Langton, Goldsmith, Mr. Chamier, and Sir John Hawkins were the other original members.
[8] It has been alleged that the King objected to Reynolds on account of the painter's friendship for Burke and Fox.
[9] The thirty-six members nominated by the Instrument were:—Joshua Reynolds, Benjamin West, Thomas Sandby (architect), Francis Cotes (portrait painter), John Baker (coach panel painter), Mason Chamberlin (portrait painter), John Gwyn (architect), Thomas Gainsborough, J. Baptist Cipriani (Italian), Jeremiah Meyer (German, miniature painter), Francis Milner Newton (portrait painter), Paul Sandby (water-colour painter and engraver), Francesco Bartolozzi (Italian, engraver), Charles Catton (coach panel painter), Nathaniel Hone (portrait painter), William Tyre (architect), Nathaniel Dance (portrait painter), Richard Wilson, G. Michael Moser (Swiss, gold-chaser and enameller), Samuel Wale (sign painter and book illustrator), Peter Toms (portrait and heraldic painter), Angelica Kauffman (Swiss), Richard Yeo (sculptor of medallions, engraver to the Mint), Mary Moser (Swiss, flower painter), William Chambers (architect), Joseph Wilton (sculptor), George Barrett (landscape painter), Edward Penny (portrait painter chiefly), Agostino Carlini (Italian, sculptor), Francis Hayman, Dominic Serres (French, landscape painter), John Richards (landscape painter), Francesco Zucarelli (Italian, landscape painter), George Dance (architect), William Hoare (historical and portrait painter, father of Prince Hoare), and Johan Zoffany (German, historical and portrait painter). The number of forty was not completed until 1772, when were added Edward Burch (gem sculptor and wax modeller), Richard Cosway (miniature painter), Joseph Nollekens (sculptor), and James Barry (historical painter). Seven of the original thirty-six Academicians do not appear on the roll of the Incorporated Society in 1766, viz., Baker, Cipriani, Toms, A. Kauffman, M. Moser, Penny, and Hoare.
[10] 'In the year 1862 there were 1142 works exhibited; of these 146 were the works of academicians, leaving 996 for the non-academicians.'—Sir Charles Eastlake's Examination before the Royal Academy Commission, 1863.
[11] Out of its accumulated riches the Academy has defrayed, the cost of its new Galleries in Burlington Gardens, first opened in 1869.
