I believe this is where the battle is fought. Satan tries to keep us from worshipping God aright, and from making Him first in everything. If I let some image made by man get into my heart and take the place of God the Creator, it is a sin. I believe that Satan is willing to have us worship anything, however sacred,—the Bible, the crucifix, the church,—if only we do not worship God Himself.

You cannot find a place in the Bible where a man has been allowed to bow down and worship any one but the God of heaven and Jesus Christ His Son. In the Book of Revelation, when an angel came down to John, he was about to fall down and worship him, but the angel would not let him. If an angel from heaven is not to be worshipped, when you find people bowing down to pictures, to images, even when they bow down to worship the cross, it is a sin. There are a great many who seem to be carried away with these things. “Thou shalt have no other gods before Me.” “Thou shalt not bow down thyself to any graven image.” God wants us to worship Him only, and if we do not believe that Jesus Christ is God manifest in the flesh we should not worship Him. I have no more doubt about the divinity of Christ than I have that I exist.

Worship involves two things: the internal belief, and the external act. We transgress in our hearts by having a wrong conception of God and of Jesus Christ before ever we give public expression in action. As some one has said, it is wrong to have loose opinions as well as to be guilty of loose practices. That is what Paul meant when he said: “We ought not to think that the Godhead is like unto gold or silver or stone, graven by art or man’s device.” The opinions that some people hold about Christ are not in accordance with the Bible, and are real violations of this second commandment.

A QUESTION.

The question at once arises—is this commandment intended to forbid the use of drawings and pictures of created things altogether? Some contend that it does. They point to the Jews and the Mohammedans as a proof. The Jews have never been much given to art. The Mohammedans to this day do not use designs of animals, etc., in patterns. But I do not agree with them. I think God only meant to forbid images and other representations when these were intended to be used as objects of religious veneration. “Thou shalt not make unto thee. . . . Thou shalt not bow down thyself to them, nor serve them.” In Exodus we are told that God ordered the bowls of the golden candlestick for the tabernacle to be made “like unto almonds, with a knop and a flower;” and the robe of the ephod had a hem on which they were to put a bell and a pomegranate alternately. How could God order something that broke this second commandment?

I believe that this commandment is a call for spiritual worship. It is in line with Christ’s declaration to that Samaritan woman—“God is a spirit, and they that worship Him must worship Him in spirit and in truth.”

This is precisely what is difficult for men to do. The apostles were hardly in their graves before they began to put up images of them, and to worship relics. People have a desire for something tangible, something that they can see. It is so much easier to live in the sense than in the spirit. That is why there is a demand for ritualism. Some people are born Puritans; they want a simple form of worship. Others think they cannot get along without forms and ceremonies that appeal to the senses. And many a one whose heart is not sincere before God takes refuge in these forms, and eases his conscience by making an outward show of religion.

The second commandment is to restrain this desire and tendency.

God is grieved when we are untrue to Him. God is Love, and He is wounded when our affections are transferred to anything else. The penalty attached to this commandment teaches us that man has to reap what he sows, whether good or bad; and not only that, but his children have to reap with him. Notice that punishment is visited upon the children unto the third or the fourth generation, while mercy is shown unto thousands, or (as it is more correctly) unto the thousandth generation.

THE FOLLY OF IMAGES.