The Farmer and His Community

by Dwight Sanderson

It is often said that this is the "age of the child," in that our civilization is more largely shaped by a desire to give our children the best possible advantages. We have come to appreciate, thanks to the insight of such philosophers as John Fiske,[58] that the advancement of the human race has been very largely due to the prolongation of the period of infancy. Ordinarily we think of play as an attribute of childhood, but as an incident rather than as a fundamental reason for the prolongation of childhood. Most modern students of child psychology, however, will take the view of Karl Gross,[59] an authority on the play of man and animals, who says: "Children do not play because they are young; they are young in order that they may play." Play is a normal process of the child's growth through spontaneous activity. Joseph Lee, the president of the Playground and Recreation Association of America, goes so far as to say: "Play is thus the essential part of education. It is nature's prescribed course. School is invaluable in forming the child to meet actual social opportunities and conditions. Without the school, he will not grow up to fit our institutions. Without play he will not grow up at all.[60]

I do not mean that a child should have no responsibilities, for that is the misfortune of the city child, but it is important to recognize the truth of old adage that "all work and no play makes Jack a dull boy," which modern psychology has given a scientific basis. One of the most fundamental needs for the promotion of play in rural communities is to secure a new attitude toward it on the part of many parents. Too frequently—and alas, often from necessity—children are compelled to do too much farm labor. Agriculture is still a family industry, and very often on the poorer farms the older children seem to be considered chiefly as an economic asset. Overwork and little or no time to satisfy the innate tendency of children to play, inevitably produces a dislike of farm life and is one of the most obvious reasons why many of them leave the farm as soon as possible.

Many parents have forgotten how to play and have lost the "feel" of it. It is important for them to play themselves in order to appreciate the needs of their children, and to have a real sympathy with them. Picnics, play festivals, and sociables, at which every one is compelled to "get into the game," are valuable for this purpose. Many a man recovers his youth in a picnic baseball game. Others have never had much play in their own lives and do not appreciate its value for the best development of their children. Play festivals or demonstrations and local athletic meets in which their children participate may appeal to their parental pride. Furthermore, when such play days are community affairs, they give the sanction of public opinion to the games played and to those participating in them. The play idea is popularized.

Play in the Home.—Although the small family does not furnish opportunity for group games, which are necessary for the satisfaction both of children and adults, yet the movement for better play facilities for the community should not overlook the fact that the home is the fundamental social institution of rural life and that play and recreation in the home are essential to its success and happiness. Home games bind the family together, and parents who play with their children find it much easier to secure and maintain their confidence. The community may well give attention to the encouragement of games and play in the homes as well as in the community gatherings. We need a definite movement on the part of pastors, teachers, and especially by such organizations as granges and farm and home bureaus for the promotion of play by young and old in the farm home.

Influence of the Automobile.—One of the values of the automobile is that by its use many a farmer has been given a new realization of the value of recreation. The new desire for recreation thus created is a great gain for farm life. There is no reason why the farmer and his family should not have as much enjoyment of life as town and city people, and if they cannot, then only the poorer class of people will remain on the farms. Occasionally one hears a commercial salesman or some city business man decrying the effect of automobiles on farmers, claiming that they are neglecting their work while chasing around the country having a good time. Doubtless in occasional instances this is as true of the farmer as it is of the townsman, but such farmers will soon come to their senses or get off the farm, and even were there a general tendency of this sort in some communities it must be regarded as the temporary excitement of a new experience. On the other hand, the breaking down of the old stolidity which dominated many a farmer who had become so accustomed to work day in and day out that he was hardly happy when he had a chance for recreation, and the creation of a wholesome desire for a larger experience and more association with others, is one of the largest gains in country life and will not only raise the standards of living, but will be a potent incentive for better agricultural methods. There can be no progress without a certain amount of dissatisfaction. Contentedness has its virtues, but it may degenerate into inertia and the death of all desire for better life.

On the other hand, the automobile and trolley have made it possible for farm people to easily reach the towns and there attend movies and other commercial amusements and to take part in the social life of the town and city. This may weaken the social life of the rural community, and it also tends to make rural people imitate the forms of play, recreation, and social life of the city, which are not necessarily best suited to rural life. When rural people come to appreciate that those forms of play and recreation which are native or are adapted to the country have many advantages over those of their city cousins, and in many ways may have higher values and satisfactions, they will give more heed to developing those which are most suitable for their enjoyment. Because various kinds of expensive play apparatus are desirable for the small playground of the city, which is crowded with hundreds of children, is no reason why similar apparatus should be thought necessary for the school-yard of the rural school. Many of the present tendencies of recreation in cities are but revivals of rural customs which are receiving new recognition because they appeal to that which is innate in human nature. What is community singing but a variation of the old-fashioned singing school? Folk-dancing originated in the country as an expression of the activities of every-day life, and should be encouraged everywhere. Dramatics and pageantry are native to the countryside. The fair and festival are rural institutions.

Commercial Amusements; Moving Pictures.—A certain form of recreation may be secured through amusements which involve mere passive participation upon the part of the spectators, as in various entertainments, dramatics, etc. As long as those giving the entertainment are local people, friends or relatives, the audience takes a more or less sympathetic part in the performance and is not actuated solely by the desire to purchase pleasurable sensations as is the case with commercial amusements. I mean by commercial amusements those which are operated solely for profit, whose advantages the individual purchases for his own pleasure rather than with any idea of participating in a group activity. Commercial amusements have their place and may be of great benefit, but they are largely an individualistic form of enjoyment and tend to make the spectator increasingly dependent upon passive pleasurable sensations, and do not have the social value of those forms of play in which one actively participates as a member of a group.

Although commercial amusements have these limitations, yet they have very real values which might be secured for many rural communities if they were operated on a coöperative basis by the people themselves rather than merely for profit by an individual. Motion pictures are now the most popular form of commercial amusement and have unlimited possibilities when operated for the good of the community rather than for profit alone. It is now possible to secure relatively cheap projection outfits and electric plants, so that many small communities are now operating their own motion picture shows. In many places this is one of the leading attractions at the community building and is a source of revenue for its maintenance. In such places the motion picture entertainment is becoming a sort of family affair, and when it can be so operated as to secure the attendance of the family as a group the objectionable features will soon disappear. Indeed, there is a well-organized effort on the part of certain motion picture firms to supply films for just this type of entertainments. Moreover, the picture show may possibly be supplemented with other features which will make a more attractive evening's entertainment, especially in small places where it is practicable to operate but one show during an evening. During the war community singing was tried at the opening and between reels in many movie houses with conspicuous success, and should be encouraged wherever suitable leadership can be secured. The speeches of the "four-minute" men were also an innovation which might well be tried further in a modified form. Would not a four-minute speech on some current topic by a live speaker, given in an uncontroversial manner, be a welcome feature of the movie show between reels, and an effective means of educating public opinion? The community orchestra or community band might well receive encouragement and financial aid by occasional programs at the community movies.

Dramatics and Pageantry.—In the last few years amateur dramatics have become increasingly popular in rural communities. The "little country theater" idea has caught the attention of rural people, and seems destined in one form or another to become a rural institution. Amateur dramatics are one of the most enjoyable and wholesome forms of recreation. The actors not only have a deal of fun as well as hard work, but real acting involves putting one's self into the part and gaining an understanding of various types of people and social situations which is a most liberal education. The audience, on the other hand, takes a particular interest in the acting of its children, friends, and relatives, and it enters into the spirit of the play much more fully than when seeing professional actors. The amateur dramatic club tends to become a community organization in which the people have a real pride and for which they develop a loyalty which affords it a peculiar opportunity and responsibility for portraying various problems and phases of life, giving not only enjoyment but a finer and deeper appreciation of human relationships.

For special occasions the historical pageant is not only a most delightful entertainment but is one of the best means of arousing community pride and spirit. The pageant grips both actors and audience with a common loyalty to their forefathers. Such an historical picture of the development of a community brings to its people an appreciation of their common heritage and they come to a new realization of their present comforts and their responsibility for the community's future. All sorts and conditions of people will work together in a pageant and enjoy the association. Any rural community which really makes up its mind to do so can produce an historical pageant of its own, which will give new meaning and inspiration to the common life.[61]