Finding that the big Hotel du Parc, which is the city's leading hostelry, was closed, we lunched at the more modest Hotel de la Poste. Our luncheon was served us in the kitchen, as, shortly before our arrival, the dining-room had been wrecked by an Austrian shell. Though this had naturally somewhat upset things, we had a really excellent meal: minestrone, which, so far as I could discover, is the only variety of soup known to the Italians, mutton, vegetables, a pudding, fruit, the best coffee I have had in Europe since the war began, and a bottle of fine old Austrian wine, which, like the German vintages, is no longer procurable in the restaurants of civilized Europe. While we ate, there was a brisk exchange of compliments between the Italian and Austrian batteries in progress above the roofs of the town. The table at which we sat was pushed close up against one of the thick masonry columns which supported the kitchen ceiling. It probably would not have been much of a protection had a shell chanced to drop in on us, but it was wonderfully comforting.
I was accompanied on my visit to Gorizia by Signor Ugo Ojetti, the noted Florentine connoisseur who has been charged with the preservation of all the historical monuments and works of art in the war zone. About this charming and cultured gentleman I was told a characteristic story. In the outskirts of Gorizia stands the château of an Austrian nobleman who was the possessor of a famous collection of paintings. Now it is Signor Ojetti's business to save from injury or destruction all works of art which are worth saving, and, after ticketing and cataloguing them, to ship them to a place of safety to be kept until the war is over, when they will be restored to their respective owners. Though the château in question was within the Italian lines, the windows of the ballroom, in which hung the best of the pictures, were within easy range of the Austrian snipers, who, whenever they saw any one moving about inside, would promptly open a brisk rifle fire. Scarcely had Ojetti and his assistant set foot within the room when ping came an Austrian bullet through the window, shattering the crystal chandelier over their heads. Then was presented the extraordinary spectacle of the greatest art critic in Italy crawling on hands and knees over a ballroom floor, taking care to keep as close to that floor as possible, and pausing now and then to make a careful scrutiny of the canvases that hung on the walls above him. "That's probably an Allori," he would call to his assistant. "Remember to take that down after it gets dark. The one next to it is good too—looks like a Bordone, though I can't be certain in this light. But don't bother about that picture over the fire-place—it's only a copy and not worth saving. Let the Austrians have it if they want it." And they told me that through it all he never once lost his dignity or his monocle.
Another interesting figure who joined our little party in Gorizia was a monk who had served as a regimental chaplain since the beginning of the war. He was a broad-shouldered, brown-bearded fellow and, had it not been for the scarlet cross on the breast of his uniform, I should have taken him for a fine type of the Italian fighting man. I rather suspect, though, that when the bugles pealed the signal for the attack, he quite forgot that the wearers of the Red Cross are supposed to be non-combatants. During the Austrian offensive in the Trentino, an Italian army chaplain was awarded the gold medal for valor, the highest military decoration, because he rallied the men of his regiment after all the officers had fallen and led them in the storming of an Austrian position held by a greatly superior force. Another chaplain who had likewise assumed command of officerless troops was awarded the silver medal for valor. As the duties of the army chaplains are supposed to be confined to giving the men spiritual advice, the doubt arose as to whether they were justified in actually fighting, thus risking the loss of their character as non-combatants. This puzzling question was, therefore, submitted to the Pope, who decided that chaplains assuming command of troops who had lost their officers in battle were merely discharging their duty, as they encouraged the men to resist in self-defense. In addition to the regimental chaplains there are, so I was told, thousands of priests and monks serving in the ranks of the Italian armies. Whether, after leading the exciting and adventurous life of a soldier, these men will be content to resume the sandals and the woollen robe, and to go back to the sheltered and monotonous existence of the monastic orders, I very strongly doubt. In any event, their sympathies will have been deepened and their outlook on life immensely broadened.
It rained in torrents during my stay in Gorizia, but, as we recrossed the Isonzo onto the Friulian plain, the sinking sun burst through a rift in the leaden clouds and turned into a huge block of rosy coral the red rampart of the Carso. Beyond that wall, scarce a dozen miles as the airplane flies, but many times that distance as the big gun travels, lies Trieste. It will be a long road, a hard road, a bloody road which the Italians must follow to attain their City of Desire, and before that journey is ended the red rocks of the Carso will be redder still. But they will finish the journey, I think. For these iron-hard, brown-faced men, remember, are the stuff from which was made those ever-victorious legions that built the Roman Empire—and it is the dream of founding another Empire which is beckoning them on.
V[ToC]
WITH THE RUSSIANS IN CHAMPAGNE
When the French have been pestered for permission to visit the front by some foreigner—usually an American—until their patience has been exhausted, or when there comes to Paris a visitor to whom, for one reason or another, they wish to show attention, they send him to Rheims. Artists, architects, ex-ambassadors, ex-congressmen, lady journalists, manufacturers in quest of war orders, bankers engaged in floating loans, millionaires who have given or are likely to give money to war-charities, editors of obscure newspapers and monthly magazines, are packed off weekly, in personally conducted parties of a dozen or more, on a day's excursion to the City of the Desecrated Cathedral. They grow properly indignant over the cathedral's shattered beauties, they visit the famous wine-cellars, they hear the occasional crack of a rifle or the crash of a field-gun,[B] and, upon their return, they write articles for the magazines, and give lectures, and to their friends at home send long letters—usually copied in the local papers—describing their experiences "on the firing-line." "Visiting the front" has, indeed, become as popular a pastime among Americans in Paris as was racing at Longchamps and Auteuil before the war. Hence, no place in the entire theatre of war has had so much advertising as Rheims. No sector of the front has been visited by so many civilians. That is why I am not going to say anything about Rheims—at least about its cathedral. For there is nothing left to say.