"Tell me," I queried, as I was about to enter the car, "are these girls I've heard so much about really pretty?"
The Resident smiled cynically.
"Well," he replied, and I thought that I could detect a note of homesickness in his voice, "it depends upon the point of view. When you first arrive in Bali you swear that they are the prettiest brown-skinned women in the world. But after you have been here a year or so you get so tired of everything connected with the tropics that you don't give the best of them a second glance. For my part, give me a plain, wholesome-looking Dutch girl with a lusty figure and corn-colored hair and cheeks like apples in preference to all the cafe-au-lait beauties in Bali."
"Au revoir," I called, as I signaled to the driver and the car leaped forward. "If I listen to you any longer I shall have no illusions left."
Save only its western end, which is covered with dense jungle inhabited by tigers and boa-constrictors, Bali is a vast garden, ablaze with the most gorgeous flowers that you can imagine and criss-crossed by a net-work of hard, white roads which alternately wind through huge cocoanut plantations or skirt interminable paddy fields. From the coast the ground rises steadily to a ridge formed by a central range of mountains, which culminate in the imposing, cloud-wreathed Peak of Bali, two miles high. Streams rushing down from the mountains have cut the rich brown loam of the lowlands into deep ravines, down which the brawling torrents make their way to the sea between high banks smothered in tropical vegetation. The most remarkable feature of the landscape, however, are the rice terraces, built by hand at an incredible cost of time and labor, which climb the slopes of the mountains, tier on tier, like the seats in a Roman ampitheatre, sometimes to a height of three thousand feet or more, constituting one of the engineering marvels of the world.
The southern slope of the divide appeared to be much more thickly peopled than the northern, for, as we sped down the steep grades with brakes a-squeal, villages of mud-walled, straw-thatched huts became increasingly frequent, nor did the natives appear to be observing Menjepee as strictly as in the vicinity of Boeleleng, for they stood in the gateways of their kampongs and waved at us as we whirled past, and more than once we saw groups of them squatting in a circle beside the road, engaged in the national pastime of cock-fighting. Now we began to encounter the women whose beauty is famous throughout Malaysia: glorious, up-standing creatures with great masses of blue-black hair, a faint couleur de rose diffusing itself through their skins of brown satin. They were taller than any other women I saw in Malaysia, lithe and supple as Ruth St. Denis, and bearing themselves with a quiet dignity and lissome grace. From waist to ankle they were tightly wrapped in kains of brilliant batik, which defined, without revealing, every line and contour of their hips and lower limbs, but from the waist up they were entirely nude, barring the flame-colored flowers in their dusky hair.
Unlike most Malays, the eyes of the Balinese, instead of being oblique, are set straight in the head. The nose, which frequently mars what would otherwise be well-nigh perfect features, is generally small and flat, with too-wide nostrils, though I saw a number of Balinese women with noses which were distinctly aquiline—the result of a strain of European blood, perhaps. The lips are thick, yet well formed; the teeth are naturally regular and white but are all too often stained scarlet with betel-nut, which is to the Balinese girl what chewing-gum is to her sister of Broadway. The complexion ranges from a deep but rosy brown to a nuance no darker than that of a European brunette, but in the eyes of the Balinese themselves a golden-yellow complexion, the color of weak tea, is the perfection of female beauty. But the chief charm of these island Eves is found, after all, not in their faces but in their figures—slender, rounded, willowy, deep-bosomed, such as Botticelli loved to paint.
Despite the alluring tales brought back by South Sea travelers of the radiant creatures who go about unclad as when they were born, I have myself found no spot, save only Equatorial Africa, where women dispense with clothing habitually and without shame. Indeed, I have seen girls far more scantily clad on the stage of the Ziegfeld Roof or the Winter Garden than I ever have in those distant lands which have not yet received the blessings of civilization. In most of the Polynesian islands the painter or photographer can usually bribe a native girl to disrobe for him, just as in Paris or New York he can find models who for a consideration will pose in the nude, but when the picture is completed she promptly resumes the shapeless and hideous garments of Mother Hubbard cut which the missionaries were guilty of introducing and whose all-enveloping folds, they naïvely believe, form a shield and a buckler against temptations of the flesh. But there are no missionaries in Bali, not one—though the Board of Foreign Missions may interest itself in the islanders after this book appears—and the women continue to dress as they should with such figures and in such a climate.
Because of a flat tire, the driver stopped the car beside a little stream in which two extremely pretty girls were bathing. With the evening sun glinting on their brown bodies and their piquant, oval faces framed by the dusky torrents of their loosened hair, they looked like those bronze maidens which disport themselves in the fountain of the Piazza delle Terme in Rome, come to life. I felt certain that they would take to flight when Hawkinson unlimbered his motion-picture camera and trained it upon them, but they continued their joyous splashing without the slightest trace of self-consciousness or confusion. In fact, when a Balinese girl becomes embarrassed, she does not betray it by covering her body but by drawing over her face a veil which looks like a piece of black fishnet. Their bath completed, the maidens emerged from the water on to the farther bank, paused for a moment to arrange their hair, like wood nymphs of the Golden Age, then wound their gorgeous kains about them and vanished amid the trees. From somewhere on the distant hillside came the sweet, shrill quaver of a reed instrument. The driver said it was a native flute, but I knew better. It was the pipes of Pan....