Trent said nothing to this. He stared out over the fields towards the sea. In the silence a noise of hobnailed haste rose on the still air. A little distance down the road a boy appeared trotting towards them from the direction of the hotel. In his hand was the orange envelope, unmistakable afar off, of a telegram. Trent watched him with a carefully indifferent eye as he met and passed the two others. Then he turned to Marlowe. "Apropos of nothing in particular," he said, "were you at Oxford?"
"Yes," said the young man. "Why do you ask?"
"I just wondered if I was right in my guess. It's one of the things you can very often tell about a man, isn't it?"
"I suppose so," Marlowe admitted. "Well, each of us is marked in one way or another, perhaps. I should have said you were an artist, if I hadn't known it."
"Why? Does my hair want cutting?"
"Oh, no! It's only that you look at things and people as I've seen artists do, with an eye that moves steadily from detail to detail—rather looking them over than looking at them."
The boy came up panting. "Telegram for you, sir," he said to Trent. "Just come, sir."
Trent tore open the envelop with an apology, and his eyes lighted up so visibly as he read the slip that Marlowe's tired face softened in a smile.
"It must be good news," he murmured half to himself.
Trent turned on him a glance in which nothing could be read. "Not exactly news," he said. "It only tells me that another little guess of mine was a good one."