"We might build a log house. The logs are solid, and the chimney, if there happens to be one, won't pretend to be of the same material as the walls of the building."

"I like better the notion of letting the material of which brick walls and partitions are composed form the actual finish inside as well as outside. The floors, too, should be bare, and the beams that support them ought to be visible, and in case of a wooden house, the posts, braces and other timbers should be left in sight when the building is finished. It is a sad pity that modern modes of building, like modern manners and fashions, conceal actual construction and character, making a mask that may hide great excellence or absolute worthlessness."

"Won't all these pipes, wooden beams, bell ropes and things be fearfully dusty and cumber the housekeeper with too much serving? I supposed you would vote for smooth, flat, hard wood and painted walls, they are so much easier to keep clean."

"Perhaps I shall; but we must remember the gnat and the camel and try to be consistent. A single portière, especially if it be of the rag-carpet style, has a greater dust-collecting capacity than a whole houseful of wooden floors, ceilings and wainscots, even when they are moulded and ornamentally wrought. Surely they will not be troublesome if they are plain and simple, and only think how much more interesting than flat square walls and ceilings, which we feel compelled to cover with some sort of decoration to make them endurable. I suppose architects have outgrown the sheet-iron and stucco style of building, and do not generally approve of 'graining' honest pine in imitation of coarse-grained chestnut. But these are not the only concealments and disguises that ought to be reformed. If we cannot make our house a model in any other respect, I hope it will be free from hypocrisy and silly affectations."

"By all means; but you mustn't forget that reformers risk martyrdom. However, you can't be too honest for me; I am ready to sign any pledge you offer, even though it prohibit paint, putty and all other cloaks for poverty, ignorance and dishonesty."

"There's a time and place for paint and putty, lath, plaster and paper, but we ought not to be helplessly dependent upon them."

"Have you any idea how the house will look outside," asked Jack, giving the fire a poke, "or is that to be left to take care of itself?"

"No, indeed! not left to take care of itself. In that part of the undertaking we are bound to believe that the architect is wiser than we, and must accept in all humility what he decrees. Still I think the law of domestic architecture at least should be 'from within out.' For the sake of the external appearance it ought not to be necessary to make the rooms higher or lower than we want them for use, neither larger nor more irregular in shape. It ought not to be necessary to build crooked chimneys for the sake of a dignified standing on the roof, or to make a pretense of a window where none is needed. The windows are for you and me to look out from and to let in the sunlight, not for the benefit of outside observers, and should be treated accordingly. We will not have big posts—mullions, do you call them?—in the middle of them, as there are in these. When I try to look down the street to see if you are coming home I can scarcely see obliquely to the corner of the lot, and we don't get half as much sunshine as we should if the windows were all in one."