Pam and the Countess

by E. E. Cowper

"Pity we didn't have it this morning, missie, Batt's gone to Peterock to-day."

Pamela said "never mind", and meant it. Her object was Woodrising.

She sped back along the wet road with eager haste, and checked not till she came to the long hill, and the white wall enclosing those thickly wooded grounds and white buildings. Then she did what she had planned to do--got through the hedge on to the wooded hill above Woodrising, made her way down slowly through the trees till she reached the barrier wall, and then began to follow the course of the wall round the whole of the little estate. She believed there would be some chance, which she could make use of, either to get in, or see in, for surely there must be outlets! Gates, or gaps, or ladders, or something that could be made use of.

However, she went round two sides of it--the wall at the top, and the long side wall down the hill--and found no opportunity. She knew too that she must not count on the wall edging the road, because no burglar even could attempt its slippery height. That was three sides! She was thinking of this, and that she might never see more than the top windows, slate roof, and chimneys of the tantalizing house, when she came on a ladder--a short ladder set conveniently up against the wall--positively inviting her to mount it.

She went up cautiously and looked over. It was at the corner, in the angles of the side and lower walls, and she saw that within was a high rubbish heap that obviously formed a bed for vegetable marrows. Heaped-up straw mould, and softness--the easiest thing in the world to jump down on to. But that was rather an extreme measure, so Pamela went back down three steps and considered the question.

Then she observed that the glass at this point was crushed and scraped till the wall top was smooth enough to pass with comfort. One might have supposed that someone made a practice of getting over just here; Pamela's mind leaped to the thought of Peter Cherry, the boy--it would of course be his quickest way home to the Temperance Tea House. No doubt a secret way.

She went up again and viewed the grounds. Immediately below were the kitchen-gardens--beyond that vistas of long shrubbery walks--lawns, fruit trees--every sort of tree, and everything overgrown and run riot. There was a wild luxuriance about the whole place which was natural to Bell Bay and its sheltered warmth. No one seemed to be about.

After a few minutes' hesitation, Pamela went "over the top" with a swift movement, and jumped down on to the vegetable-marrow bed. It was damp and soft. Pausing to reconnoitre she noticed two bricks missing in the wall on the inner side. The holes had all the appearance of steps made on purpose, and confirmed her opinion about Peter Cherry's short cut.

Then she went into the garden, making for the shelter of the nearest shrubbery. Keeping out of sight of window view she followed the paths in and out towards the house. Everywhere she looked for "tracks", for footmarks in the wet soil, and was pleased when she found the trace of a shortish square-toed boot with nail-studded sole. Certainly Peter Cherry! She felt she was getting on in experience. So absorbed was she that she confused the bush fringed paths, and got mixed up as to which she had inspected. Then, she came on the neat, narrow print of a woman's shoe, and stooped to examine it with intense interest. Here was a plain track, and she followed it some yards between overhanging, very wet apple-trees, till it turned the corner into a cross path. Pamela stopped and looked up and down. Surely she had been this way before. She looked back between the green walls and felt certain the look of it was familiar. A thought struck her and she slipped off one of her own shoes, and compared the sole to the shoe print. Either it was her own track--which she was crossing unawares--or somebody else wore exactly the same sized shoe. It was a maddening dilemma.

She was puzzling over this when she became aware of voices, not far distant, and coming nearer--from the house. Somebody was talking in what Pamela would have described as a "fussy voice". She stood listening, and might have been caught on that instant if the talkers had glanced down between the apple-trees, for two figures passed across the end of the alley she was in, and went on towards the kitchen-garden.