“But it isn’t rot. Well, never mind. I say, Father, we have had a ripping holiday. And to-day’s been the best of all. And it’s ever so much nicer here than in London. I love Stanier.”
“That’s a family affliction,” said Colin. “I wonder what you’ll do with it, when I’m dead and you get it.”
“Oh, shut up. As if I should care about it without you.”
“Dennis, what compliments!” said Colin.
Colin went to his room, and let that shutter in his mind rattle up and looked into that lighted window. Between the catastrophe and the coming of the doctor his acuteness had been entirely busy over the account he would be called upon to give, and there his cool ingenuity had served him well: his story had been coherent and consistent, and he had eliminated from it everyone but himself and the dead man, who could bring forward no conflicting testimony. But for the moment he looked only absently at that sensationally decked window, for he congratulated himself on his wisdom in rejecting that wayward thought of taking Dennis with him at midnight, only a little more than an hour ago, into the chapel. If he had done that, what face would Dennis be wearing now? Would he have curled down in bed so quietly and followed his father as he went to the door with the shining of his tranquil, affectionate eyes? Already he knew (and had shuddered to know) that there was in the legend something more than a fairy story, something alive and Satanic from the touch of which he shrank when it came near him. Colin would have told him that what he was to see in the chapel was the worship of that power which through the centuries had so wonderfully befriended the house, and while he quivered in the face of that initiation, there would have come this appalling, this unexpected stroke. The boy would have been distraught with terror; evil which, for its own sake, he must sometime choose as guardian of his soul and body, would have been to him for ever a force that smote its suppliant with death, sudden and terrific. It would have been disastrous if Dennis had seen that.
Colin looked into the lighted window. There, vivid as when the scene itself was before his amazed eyes, he scrutinized the image of Vincenzo, already writhing in the ecstasy of possession, and then falling forward like that. Why had that happened? What was its psychical significance? He had died, it appeared, of some shock of terror: panic yelled in his wide silent eyes. Had there come to him some appalling revelation of ultimate absolute evil, even as it had come to old Colin himself when, at his birthday feast, he had shrieked out, “No! No!” and with repelling hands had fallen dead across the table? Or had he looked in the eyes of God, and seen there the infinite love of Him at Whom he mocked?
Colin felt himself shudder at that thought. That indeed would be enough to shrivel the spirit of a man, like a burnt feather in a furnace. Hell could not contain such torment as to realize that, through the night and blackness of absolute evil, the love of God still shone without change or dimness, even as the light of a steadfast star burns unblown by the puny violence of terrestrial tempests.... If there had come to Vincenzo at the moment of death only some vision or internal realization of the wrath of God, that surely, to one whose joy it was to mock and defy Him, would have been like a waved banner of victory, a sign that his mockery had reached its mark: God’s anger would be a testimonial to his success. But it would have been hell indeed to know that all his defiance and rebellion had never caused the infinite Love and pity to waver, that for him still ‘Christ’s blood streamed in the firmament.’ That would have been sufficient to glaze with the terror of utter and ultimate defeat, those dying eyes....
“See where Christ’s blood stream is the firmament”.... Colin muttered the words to himself. They came, he remembered now, from the last scene in Marlowe’s Faustus, just before the stroke of midnight, on which Mephistopheles came to exact the payment of Faustus’s soul. That to Faustus had been the ultimate anguish, and what if it had been so too to him who now lay in the locked room downstairs?
Colin shrank from that thought, even as Dennis had shrunk from the terror of his nightmare. It was better to suppose that there had come to the man some fresh intuition into the power of evil, and that in the panic of his eyes was the knowledge that his time was come, and that he was eternally consigned to the protection of what he had worshipped. At that so easily the flesh might quaver, in the dissolution of the body from the spirit. That in comparison was a comforting thought: he felt himself at home there and not afraid. He himself had chosen evil for his good, and hell surely could be no other than the eternal severance of the soul from God. It was physical terror merely that had distorted Vincenzo’s face: and with that thought there sprang up in him the desire to look on the dead once more, and convince himself that there were imprinted on it just the tokens of this natural cowering before the face of death. He had with him the key of the locked smoking-room, where the body lay, and now, taking off his shoes so that his step should be noiseless, he let himself out into the passage again. The switch was to his hand just outside his door, and at his touch the passage and the hall below flashed into light.
He paused after fitting the key into the door of the smoking-room. The great portrait of old Colin seemed to smile on him; on the floor in front of it was the rug on which Vincenzo’s body had sprawled, it was crumpled into ridges where they had taken it up again. He entered the death-chamber. There on the sofa with its face covered lay the body, and standing there beside it he told himself again what he had come to see, namely the tokens of physical terror, the shrinking of the flesh at the touch of death. Then he drew the covering away.