“I’m afraid I haven’t got a new Patience, Colin,” she said.
“Ah, the old is better. You must teach me one of your Patiences someday. Violet and I must learn Patience, to occupy the autumn evenings when we’re alone here.”
Colin was half-inclined to reconsider his plan for sending the menagerie on tour. Just as the lover is happiest when the object of his affection is with him, so dislike and contempt sun themselves in the presence of their derision, for it supplies them with fuel. It was amusing to plant little stinging darts, to speak of drink to Uncle Ronald, to flick Violet with an allusion to their solitary evenings in the autumn, to make everybody uncomfortable with the threat that he would drown himself in the lake, for that reminded them of Raymond. These darts were feathered with his gay inimitable geniality, which charmed and enchanted, with that sunniness that warmed their cold old bones, for so the point stung more smartly. Certainly that allusion to the time when he and Violet would be alone here gave them all something to think about....
Colin, before settling down to the Memoirs again, sent for his butler and the cellar-book, and rather enjoyed the fact that Uncle Robert had been consuming the 1860 port at a steady average of a bottle and a half a day. He was a sodden old brute, of course, but, as drink was all that he cared about, it shewed sense to annex as much as possible of the very best, for he always, it appeared, asked for that memorable vintage. But, though it was an agreeable diversion to look at his tremulous unsightliness of a morning, it did not counterweigh the heavy burden of his presence, and he had better go.... Violet would have to convey that to him, if only for the reason that she had said she would not. Colin thought he had a persuasive device about that....
All this was very trumpery, and, with a sense of turning to something better worth his attention, he took up the Memoirs again, and soon found himself delightfully absorbed in them. Never was there so sincere and unvarnished an autobiography; the author rejoiced in his presentation of himself. Most men when they paint themselves cannot avoid dipping their brush in the medium, if not of conscious falsity, at least in that of self-deception. They view themselves with a kindly eye, they gloss over or tone down, even to the point of omission, their uglier characteristics; they emphasise what is creditable, they find a sympathetic reason for their occasional frailties. All this may be honest enough in intention, for the reason that they have hoodwinked themselves and really see themselves in such and such a light, but here Colin found an honesty transcendent and diverting. For this ancestor of his had no desire, conscious or subconscious, to fashion an edifying image of himself; he had no mind to be decorated with virtuous phylacteries, and with plain deft strokes he presented this evil and sincere picture of himself. That picture was mirror as well as portrait, and it took Colin’s breath away to see himself so unerringly delineated.
....So the shepherd-boy waited on the Queen next morning, at the Manor of Brede. He had not dressed himself up in his best, but came in his shepherd’s garb, shirt and breeches and shoes, and he carried with him his crook and a young lamb. The varlets would have driven him from the door, but that he said it was by the Queen’s orders that he presented himself, and they, knowing the whims of that fiery dame, sent word to the Controller of her household that a lousy lad demanded audience of Her Grace. “Lad indeed I was,” indited the writer, “but no lousy one, for I had washed the muck of my lambing off me, and had bathed myself in the Rother, and I was cleaner and sweeter than any of they. So out came the Queen’s Controller, a pursey fellow, and he too would have shoo’ed me away, but I told him fairly there would be trouble for him, if Her Grace knew that I had been turned from her door. He went to tell Her Grace, and presently came back faster than he had gone, and brought me speedily into the Queen’s presence, me and my lamb and my crook. There she sat at the end of a great table, where she had been holding a Council, and she said never a word, but watched me. So I bent my eyes on the ground, but I lifted up my heart to my Lord and Benefactor, and prayed that he should guide my doings, and well he counselled me. I put myself in his hands, and thought no more what I should do or say but trusted him, and I walked past the long table towards where she sat, and the rushes on the floor pricked the soles of my feet, for I had left my shoes outside. Once only did I look up, and saw her still watching me, out of those sharp eyes, with their high eyebrows. How little was her face, I thought, and how red her hair, and how fine her ruff and how yellow her skin, and this was the Queen of England. Then I looked down again, and walked until I saw close in front of my bare toes the tip of her shoes set with pearls. And then I knelt down, and bowed myself and said:
“‘A lamb, madam, which is the first fruits of the spring. My crook which I lay at your Grace’s feet, and myself who am not worthy to lie there.’
“Then I raised my eyes and looked at her, gay and bold, as I look at the wenches, for wench she was, though the Queen of England. And then once more, as if blinded by her splendour, I abased myself, and she spoke.
“‘Look at me, Colin Stanier,’ she said.
“‘Madam,’ said I.