FORTUNE.
J. C. Snaith.
Mr. J. C. Snaith is already known to fame by his historical novels, his admirable cricketing story, his essay in Meredithan subtlety "Brooke of Covenden," and his most successful Victorian comedy "Araminta." In his new novel he breaks ground which has never before been touched by an English novelist. He follows no less a leader than Cervantes. His hero, Sir Richard Pendragon, is Sir John Falstaff grown athletic and courageous, with his imagination fired by much adventure in far countries and some converse with the knight of La Mancha. The doings of this monstrous Englishman are narrated by a young and scandalized Spanish squire, full of all the pedantry of chivalry. Sir Richard is a new type in literature—the Rabelaisian Paladin, whose foes flee not only from his sword but from his Gargantuan laughter. In Mr. Snaith's romance there are many delightful characters—a Spanish lady who dictates to armies, a French prince of the blood who has forsaken his birthright for the highroad. But all are dominated by the immense Sir Richard, who rights wrongs like an unruly Providence, and then rides away.
THE HISTORY OF MR. POLLY.
H. G. Wells.
If the true aim of romance is to find beauty and laughter and heroism in odd places, then Mr. Wells is a great romantic. His heroes are not knights and adventurers, not even members of the quasi-romantic professions, but the ordinary small tradesmen, whom the world has hitherto neglected. The hero of the new book, Mr. Alfred Polly, is of the same school, but he is nearer Hoopdriver than Kipps. He is in the last resort the master of his fate, and squares himself defiantly against the Destinies. Unlike the others, he has a literary sense, and has a strange fantastic culture of his own. Mr. Wells has never written anything more human or more truly humorous than the adventures of Mr. Polly as haberdasher's apprentice, haberdasher, incendiary, and tramp. Mr. Polly discovers the great truth that, however black things may be, there is always a way out for a man if he is bold enough to take it, even though that way leads through fire and revolution. The last part of the book, where the hero discovers his courage, is a kind of saga. We leave him in the end at peace with his own soul, wondering dimly about the hereafter, having proved his manhood, and found his niche in life.
THE OTHER SIDE.
H. A. Vachell.
In this remarkable book Mr. Vachell leaves the beaten highway of romance, and grapples with the deepest problems of human personality and the unseen. It is a story of a musical genius, in whose soul worldliness conquers spirituality. When he is at the height of his apparent success, there comes an accident, and for a little soul and body seem to separate. On his return to ordinary life he sees the world with other eyes, but his clearness of vision has come too late to save his art. He pays for his earlier folly in artistic impotence. The book is a profound moral allegory, and none the less a brilliant romance.
SIR GEORGE'S OBJECTION.