Chesterford looked a trifle puzzled.
Dodo turned to him.
"Poor old man," she said, "did they call him names? Never mind. We'll go and be labelled 'Best policy. No others need apply.'"
She got up from her chair, and pulled Chesterford's moustache.
"You look so abominably healthy, Chesterford," she said. "How's Charlie getting on? Tell him if he beats his wife anymore, I shall; beat you. You wouldn't like that, you know. Will you ring for tea, dear? Mrs. Vivian, I command you to go to your room. I had your fire lit, and I'll send tea up. You're a dripping sop."
Mrs. Vivian pleaded guilty, and vanished. Sounds of music still came from the drawing-room. "It's no use telling Edith to come to tea," remarked Dodo. "She said the other day that if anyone ever proposed to her, whom she cared to marry, she will feel it only fair to tell him that the utmost she can offer him, is to play second fiddle to her music."
Edith's music was strongly exciting, and in the pause that followed, Dodo went to the door and opened it softly, and a great tangle of melody poured out and filled the hall. She was playing the last few pages of the overture to an opera that she had nearly completed. The music was gathering itself up for the finale. Note after note was caught up, as it were, to join an army of triumphant melody overhead, which grew fuller and more complete every moment, and seemed to hover, waiting for some fulfilment. Ah, that was it. Suddenly from below crashed out a great kingly motif, strong with the strength of a man who is pure and true, rising higher and higher, till it joined the triumph overhead, and moved away, strong to the end.
There was a dead silence; Dodo was standing by the door, with her lips slightly parted, feeling that there was something in this world better and bigger, perhaps, than her own little hair-splittings and small emotions. With this in her mind, she looked across to where Chesterford was standing. The movement was purely instinctive, and she could neither have accounted for it, nor was she conscious of it, but in her eyes there was the suggestion of unshed tears, and a look of questioning shame. Though a few bars of music cannot change the nature of the weakest of us, and Dodo was far from weak, she was intensely impressionable, and that moment had for her the germ of a possibility which might—who could say it could not?—have taken root in her and borne fruit. The parable of the mustard seed is as-old and as true as time. But Chesterford was not musical; he had taken a magazine from the table, and was reading about grouse disease.