Edith gave a rather elaborate sigh. She had to sigh carefully because she had a cigarette and a pen in her mouth, while she was scratching out a blot she had made on the score she was revising. So care was needed; otherwise cigarette and pen might have been shot from her mouth. When she spoke her utterance was indistinct and mumbling.
"I suppose you infer that you are more at home in heaven than hell," she said, "since just a touch makes you feel a saint. I should say it was the other way about. You are so at home in the other place that the most abysmal depths of infamy have to be presented to you before you know they are wicked at all, whereas you hail as divine the most infinitesimal distraction that breaks the monotonous round of vice. Perhaps I am expressing myself too strongly, but I feel strongly. The world is more high-colored to me than to other people."
"Darling, I never heard such a moderate and well-balanced statement," said Dodo. "Do go on."
"I don't want to. But I thought your optimism about yourself was sickly, and wanted a—a dash of discouragement. But you and Nadine are both the same: if you behave charmingly, you tell us to give the praise to you; if you behave abominably you say, 'I can't help it: it was Nature's fault for making me like that.' Now I am not like that: whatever I do, I take the responsibility, and say, 'I am I. Take me or leave me.' But I have no doubt that Nadine believes it has been too wonderful of her to fall in love with Hugh. And when she jilts Seymour, she says 'Enquire at Nature's Workshop; this firm is entirely independent.' Bah!"
Dodo laughed, but her laugh died rather quickly.
"Ah, don't be hard, Edith," she said. "We most of us want encouragement at times, and we have to encourage ourselves by making ourselves out as nice as we can. Otherwise we should look on the mess we make of things as a hopeless job. Perhaps it is hopeless but that is the one thing we mustn't allow. We are like"—Dodo paused for a simile—"we are like children to whom is given a quantity of lovely little squares of mosaic, and we know, our souls know, that they can be put together into the most beautiful patterns. And we begin fairly well, but then the devil comes along, and jogs our elbow, and smashes it all up. Probably it is our own stupidity, but it is more encouraging to say it is the devil or nature, something not ourselves. Good heavens, my elbow has jogged often enough! And when the pattern gets on well, we encourage ourselves by saying, 'This is clever and good and wise Me doing it now!' And then perhaps something very big and solemn comes our way, and we bow our heads, and know it isn't ourselves at all."
Edith had finished erasing her blot, and was gathering her sheets together. She tapped them dramatically with an inky forefinger.
"This is big and solemn," she said. "But it's Me. The artist's inspiration never comes from outside: it is always from within. I'm going to send it to have the band parts copied to-day."
At the moment the message came that Hugh received, and Dodo got up. He had received Edith one morning, but the effect was that he had eaten no lunch and had dozed uneasily all afternoon. Edith had been content with the explanation that her vitality was too strong for him, and, while ready to give him another dose of it, did not press the matter; anyhow, she had other business on hand.