"That is sweet of you. I think—"
He interrupted.
"I shall have some more wives," he said. "I should like a lunch wife and a dinner wife. I want to see a certain kind of person from about mid-day till tea-time."
"Is that a hint that it is time for me to go?" asked Nadine.
"Nearly. Don't interrupt. But then, if one is not in love with anybody at all, as you are not, and as I am not, you want a perfectly different kind of person in the evening. To be allowed only one wife, has evolved a very tiresome type of woman; a woman who is like a general servant, and can, so to speak, wait at table, cook a little, and make beds. You look for somebody who, on the whole, suits you. It is like buying a reach-me-down suit, which I have never done. It probably fits pretty well. But if it is to be worn every day until you die, it must fit absolutely. If it doesn't, there are fifty other suits that would do as well."
"Translate," said Nadine.
"Surely there is no need. What I mean is that occasionally two people are ideally fitted. But the fit only occurs intermittently: it is not common. Short of that, as long as people don't blow their noses wrong, or walk badly, or admire Carlo Dolci, or fail to admire Bach, so long, in fact, as they do not have impossible tastes, any phalanx of a thousand men can marry a similar phalanx of a thousand women, and be as happy, the one with the other, as with any other permutation or combination of the thousand. There is a high, big, tremulous, romantic attachment possible, and it occasionally occurs. Short of that, with the limitation about Carlo Dolci and Bach, anybody would be as happy with anybody else, as anybody would be with anybody. We are all on a level, except the highest of all, and the lowest of all. Life, not death, is the leveler!"
"Still life is as bad as still death," said she.
Seymour groaned and waved his hands.
"You deserve a good scolding, Nadine, for saying a foolish thing like that," he said. "You are not with your Philistines now. There is not Esther here to tell you how marvelous you are, nor Berts to wave his great legs and say you are like the moon coming out of the clouds over the sea. I am not in the least impressed by a little juggling with words such as they think clever. It isn't clever: it is a sort of parrot-talk. You open your mouth and say something that sounds paradoxical and they all hunt about to find some sense in it, and think they do."