[CHAPTER I., ] [II., ] [III., ] [IV., ] [V., ] [VI., ] [VII., ] [VIII., ] [IX., ] [X., ] [XI., ] [XII., ] [XIII., ] [XIV., ] [XV., ] [XVI., ] [XVII., ] [XVIII., ] [EPILOGUE.]

CHAPTER I.

Tom Carlingford was sitting at his piano, in his rooms at King’s College, Cambridge, playing the overture to Lohengrin with the most indifferent success. It was a hot night in the middle of August, and he was dressed suitably, if not elegantly, in a canvas shirt, a pair of flannel trousers, and socks. He had no tie on, and he was smoking a meerschaum bowl of peculiarly spotted appearance, through a long cherry-wood stem. The remains of a nondescript meal laid coldly on the table, and a cricket-bag on the hearth-rug, seemed to indicate that he had been away playing cricket, and had got back too late for hall. The piano was almost as disreputable in appearance as its master, for it stood in a thorough draught, between the windows opening on to the front lawn and the door opening into the smaller sitting-room, and the guttering candle was making a fine stalactite formation of wax on D in alt. Several good pictures and college photographs hung on the walls, and between the windows stood a small bookcase, suspiciously tidy. Tom played with the loud pedal down, and treated his hands in the way in which we are told we should bestow our alms. D in alt had stuck fast to C sharp and C, and the effect, when either of these three notes was played, was extremely curious. However, he finished the overture after a fashion, and got up.

“This is a red-letter day for Wagner,” he remarked. “What do you do with pipes when they get leprous, Teddy?” he asked, looking dubiously at the meerschaum bowl.

“I sit down and do Herodotus,” remarked a slightly irritated voice from the window-seat, behind the lamp.

“I don’t think that’s any use,” said Tom.

“Perhaps you’ve never tried it. I wish to goodness you’d sit quiet for ten minutes, and let me work!”

Tom walked up to the lamp, and examined the pipe more closely.

“It is as spotted and ringstraked as Jacob’s oxen,” he remarked. “Teddy, do stop working! It’s after eleven, and you said you’d stop at eleven.”

“And if you inquire what the reason for——” murmured Teddy.