“No. Certainly not,” said Daisy. “She would only send us orders from London, as to what we were to do and want us to undo all we had done when she came back, besides saying she had thought of it, and making herself President!”

“There’s something in that,” said Georgie.

“Of course there is, there’s sense,” said Daisy. “Now I shall go straight and see Mrs. Boucher.

Georgie dealt a few smart blows with his mallet to the hoop he was putting in place.

“I shall come too,” he said. “Riseholme Museum! I believe Abfou did mean that. We shall be busy again.

CHAPTER IV

THE committee met that very afternoon, and the next morning and the next afternoon, and the scheme quickly took shape. Robert, rolling in golden billows of Roumanion oil, was called in as financial adviser, and after calculation, the scheme strongly recommended itself to him. All the summer the town was thronged with visitors, and inquiring American minds would hardly leave unvisited the Museum at so Elizabethan a place.

“I don’t know what you’ll have in your Museum,” he said, “but I expect they’ll go to look, and even if they don’t find much they’ll have paid their shillings. And if Mrs. Boucher thinks her husband will let you have that big tithe-barn of his, at a small rent, I daresay you’ll have a paying proposition.”

The question of funds therefore in order to convert the tithe-barn into a museum was instantly gone into. Robert professed himself perfectly ready to equip the tithe-barn with all necessary furniture and decoration, if he might collar the whole of the receipts, but his willingness to take all financial responsibilities made the committee think that they would like to have a share in them, since so shrewd a business man clearly saw the probability of making something out of it. Up till then, the sordid question of money had not really occurred to them: there was to be a museum which would make them busy again, and the committee was to run it. They were quite willing to devote practically the whole of their time to it, for Riseholme was one of those happy places where the proverb that Time is money was a flat fallacy, for nobody had ever earned a penny with it. But since Robert’s financial judgment argued that the Museum would be a profitable investment, the committee naturally wished to have a hand in it, and the three members each subscribed fifty pounds, and co-opted Robert to join the board and supply the rest. Profits (if any) would be divided up between the members of the committee in proportion to their subscriptions. The financial Robert would see to all that, and the rest of them could turn their attention to the provision of curiosities.

There was evidently to be no lack of them, for everyone in Riseholme had stores of miscellaneous antiquities and “specimens” of various kinds which encumbered their houses and required a deal of dusting, but which couldn’t quite be thrown away. A very few striking objects were only lent: among these were Daisy’s box of coins, and Mrs. Antrobus’s fibula, but the most of them, like Georgie’s glass and Colonel Boucher’s pieces of Samian ware, were fervently bestowed. Objects of all sorts poured in: the greater portion of a spinning-wheel, an Elizabethan pestle and mortar, no end of Roman tiles, a large wooden post unhesitatingly called a whipping-post, some indecipherable documents on parchment with seals attached, belonging to the vicar, an ordnance map of the district, numerous collections of fossils and of carved stones from the site of the abbey, ancient quilts, a baby’s cradle, worm-eaten enough to be Anglo-Saxon, queer-shaped bottles, a tiger-ware jug, fire-irons too ponderous for use, and (by special vote of the Parish Council) the stocks which had hitherto stood at the edge of the pond on the green. All Riseholme was busy again, for fossils had to be sorted out (it was early realized that even a museum could have too many ammonites), curtains had to be stitched for the windows, labels to be written, Samian ware to be pieced together, cases arranged, a catalogue prepared. The period of flatness consequent on Lucia’s desertion had passed off, and what had certainly added zest to industry was the thought that Lucia had nothing to do with the Museum. When next she deigned to visit her discarded kingdom, she would find how busily and successfully and originally they had got on without her, and that there was no place for her on the committee, and probably none in the Museum for the Elizabethan turnspit which so often made the chimney of her music-room to smoke.