Georgie found, when he arrived next afternoon in Brompton Square, that Olga had already had her early dinner, and that he was to dine alone at seven and follow her to the opera house.

“I’m on the point of collapse from sheer nerves,” she said. “I always am before I sing, and then out of desperation I pull myself together. If—I say ‘if’—I survive till midnight, we’re going to have a little party here. Cortese is coming, and Princess Isabel, and one or two other people. Georgie, it’s very daring of you to come here, you know, because my husband’s away, and I’m an unprotected female alone with Don Juan. How’s Riseholme? Talk to me about Riseholme. Are you engaged to Piggy yet? And is it broccoli or phlox in Daisy’s round bed? Your letter was so mysterious too. I know nothing about the Museum yet. What museum? Are you going to kill and stuff Lucia and put her in the hall? You simply alluded to the Museum as if I knew all about it. If you don’t talk to me, I shall scream.”

Georgie flung himself into the task, delighted to be thought capable of doing anything for Olga. He described at great length and with much emphasis the whole of the history of Riseholme from the first epiphany of Arabic and Abfou on the planchette-board down to the return of Simkinson. Olga lost herself in these chronicles, and when her maid came in to tell her it was time to start, she got up quite cheerfully.

“And so it was broccoli,” she said. “I was afraid it was going to be phlox after all. You’re an angel, Georgie, for getting me through my bad hour. I’ll give you anything you like for the Museum. Wait for me afterward at the stage door. We’ll drive back together.”

From the moment Olga appeared, the success of the opera was secure. Cortese, who was conducting, had made his music well; it thoroughly suited her, and she was singing and looking and acting her best. Again and again after the first act the curtain had to go up, and not until the house was satisfied could Georgie turn his glances this way and that to observe the audience. Then in the twilight of a small box on the second tier he espied a woman who was kissing her hand somewhere in his direction, and a man waving a programme, and then he suddenly focussed them and saw who they were. He ran upstairs to visit them, and there was Lucia in an extraordinarily short skirt with her hair shingled, and round her neck three short rows of seed pearls.

“Georgino mio!” she cried. “This is a surprise! You came up to see our dear Olga’s triumph. I do call that loyalty. Why did you not tell me you were coming?”

“I thought I would call to-morrow,” said Georgie, with his eyes still going backward and forward between the shingle and the pearls and the legs.

“Ah, you are staying the night in town?” she asked. “Not going back by the midnight train? The dear old midnight train, and waking in Riseholme! At your club?”

“No, I’m staying with Olga,” said Georgie.

Lucia seemed to become slightly cataleptic for a moment, but recovered.