Kit wavered. She would have given anything in the world to say, "What affair of the hundred-pound counter? I don't know what you mean." But she could not. She was physically, perhaps morally, incapable of giving the words utterance. Alington had made her afraid; she was beaten, cowed. And the accuracy of his intuition astounded her. Then she gave him her hand; she had no word for him on this subject.

"Good-bye," she said—"au revoir, rather. You will be in and out a good deal, I suppose, while we are in London. There is always lunch at two. My husband is in his room upstairs. You know the way, I think."

Many people have their own pet plan of sending themselves to sleep, such as counting imaginary sheep going through a visionary hedge, or marking out a lawn-tennis court, lifting the machine as seldom as possible. Kit's method, though she usually fell asleep immediately, was to enumerate her dislikes. This was a long and remarkably varied list, beginning "Marie Corelli, parsnips," and she seldom got to the end of it. To-night she admitted Mr. Alington into the charming catalogue, and getting to his name, she did not continue the list, nor did she immediately go to sleep.


[CHAPTER XII]

THE COTTAGE BY THE SEA

Toby was sitting on the edge of an old weather-beaten breakwater, now running out lop-sidedly and burying its nose in the sand, some three miles north of Stanborough-on-Sea, making an exceedingly public toilet after his swim.

His mother, old Lady Conybeare, had a charming house down here, which had, so to speak, risen from the ranks; in other words, it had originally been two cottages, and was now a sort of rustic palace. Her husband had been a man of extraordinary good taste, and both his idea and execution of this transformation was on the high-water mark of felicity. Brick with rough-cast was the delectable manner of it, and the old cottage chambers had been run one into another like the amalgamation of separate drops of quicksilver, to produce irregular-shaped rooms with fireplaces in odd corners. He had built out a wing on one side, a block on another, a dining-room on a third; the front-door was reached through a cloister open to the sea, and supported on brick pillars; and big green Spanish oil-jars and Venetian well-tops lined the terraced walk. Opposite the front-door, on the other side of the carriage sweep, was a monastic-looking, three-sided courtyard, bounded by low-arched cloisters, and an Italian tower, square and tapering towards the top, bisected the middle side. Close abutting on this was a charming huddled group of red roofs, with beaten ironwork in the windows, suggestive of the refectory of this seaside monastery. In reality it comprised a laundry, a bakehouse, and the dynamos which supplied the electric light. For there was in reality nothing unpleasantly monastic about the place; the cloisters were admirable shelters from sun or wind, and were heavily cushioned; the bell in the tower rang folk not to prime, but to dinner; and the peas were not put in visitors' boots, but boiled and put in dishes. The house, in fact, was as habitable as it was picturesque, a high degree of merit; it was no penance at all to stay there; the electric light seemed to brighten automatically as dusk fell, even as the moon and stars begin to shine without visible lamplighter in the high-roofed hall of heaven; and there were about as many bathrooms, with hot and cold water, as there were bedrooms.

Toby was putting on his socks very leisurely; he had been down for a dip in the sea before lunch, and having lit the post-ablutive cigarette, sweetest of all that burn, he threw his towel round his neck, took his coat on his arm, and walked slowly up the steep sandy pathway to the top of the fifty-foot cliff on which the house and garden stood. Several old fishermen were standing about at the top in nautical attitudes, hitching their trousers, folding their arms, and scanning the horizon like the chorus in light opera. One had a lately-taken haul, and Toby inspected his wares with much interest. There were lobsters in blue mail—angry and irritable, which glanced sideways at one like vicious horses looking for a good opening to kick—feebly-flapping soles, anæmic whiting, a few rainbow mackerel, and, oh, heavens! crabs.