“Oh, yes, occasionally,” said Michael. “They don’t come here, for the presence of strangers makes my mother agitated. She thinks they have some design of taking her or me away. But she wants to see Sylvia. She knows about—about her and me, and I can’t make up my mind what to do about it. She is always asking if I can’t take her to see Sylvia, or get her to come here.”
“And why not? Sylvia knows about your mother, I suppose.”
“I expect so. I told Hermann. But I am afraid my mother will—well, you can’t call it arguing—but will try to persuade her to have me. I can’t let Sylvia in for that. Nor, if it comes to that, can I let myself in for that.”
“Can’t you impress on your mother that she mustn’t?”
Michael leaned forward to the fire, pondering this, and stretching out his big hands to the blaze.
“Yes, I might,” he said. “I should love to see Sylvia again, just see her, you know. We settled that the old terms we were on couldn’t continue. At least, I settled that, and she understood.”
“Sylvia is a gaby,” remarked Aunt Barbara.
“I’m rather glad you think so.”
“Oh, get her to come,” said she. “I’m sure your mother will do as you tell her. I’ll be here too, if you like, if that will do any good. By the way, I see your Hermann’s piano recital comes off to-morrow.”
“I know. My mother wants to go to that, and I think I shall take her. Will you come too, Aunt Barbara, and sit on the other side of her? My ‘Variations’ are going to be played. If they are a success, Hermann tells me I shall be dragged screaming on to the platform, and have to bow. Lord! And if they’re not, well, ‘Lord’ also.”