“And what a lovely idea to have a blue floor, dear,” she said. “How original you are. And that pretty scarlet ceiling. But don’t you find when you’re painting that all these bright colours disturb you?”
“Not a bit: they stimulate your sense of colour.”
Miss Mapp moved towards the screen.
“What a delicious big screen,” she said.
“Yes, but don’t go behind it, Mapp,” said Irene, “or you’ll see my model undressing.”
Miss Mapp retreated from it precipitately, as from a wasp’s nest, and examined some of the studies on the wall, for it was more than probable from the unfinished picture on the easel that Adam lurked behind the delicious screen. Terrible though it all was, she was conscious of an unbridled curiosity to know who Adam was. It was dreadful to think that there could be any man in Tilling so depraved as to stand to be looked at with so little on…
Irene strolled round the walls with her.
“Studies of Lucy,” she said.
“I see, dear,” said Miss Mapp. “How clever! Legs and things! But when you have your bridge-party, won’t you perhaps cover some of them up, or turn them to the wall? We should all be looking at your pictures instead of attending to our cards. And if you were thinking of asking the Padre, you know…”
They were approaching the corner of the room where the screen stood, when a movement there as if Adam had hit it with his elbow made Miss Mapp turn round. The screen fell flat on the ground and within a yard of her stood Mr. Hopkins, the proprietor of the fish-shop just up the street. Often and often had Miss Mapp had pleasant little conversations with him, with a view to bringing down the price of flounders. He had little bathing-drawers on…