Clearly, as he suspected, she was not going to commit herself to any statement without consideration, even when so violently trivial a subject was under discussion. Her eyebrows, much darker than the shade of her hair, like Nellie’s, pulled themselves a little downwards and inwards, so that they nearly met.

“Oh, I could easily be bored,” she said. “A lot of bored people would infect me and make me bored.”

She leaned a little forward towards him, again with that boyish appeal.

“Please don’t be bored,” she said. “Be interested and amused. Make yourself into a sort of disinfectant to protect me.”

“Is there an epidemic?” he asked.

“Yes; the place is reeking with it. My mother, for instance, detests music. Isn’t it darling of her?”

“How very odd of her, then——” he began.

He stopped because, in some emphatic, intangible way, the girl retreated from the platform of intimacy on to which she had stepped. She moved her chair an inch or two away from him, hitching it back with her foot, but that was only a symbol of her change of attitude. What to Peter made the significance of that small steering was a certain quenching of light in her face, as if, over it, she had put up some mask of herself that might easily have been mistaken for her, if the beholder had not, for a glimpse or two, seen her unmasked. She shifted from the personal ground on which, for a minute, they had met, and became Miss Silvia Wardour, generalizing in small talk, in the usual imbecile and social manner. She also became much more feminine....

“I wonder how many people in the house, who have come to hear Wagner, really dislike it,” she said. “Probably we all of us like some species of noise, and dislike another species of noise. If you like the Beethoven noise, you probably dislike the Wagner noise. Only nobody will say so. They come to look at each other.”

She had carried back the conversation on to the personal platform again, as if she was sorry to have slipped off it so suddenly. But she carried it on to another part of the platform. Quite clearly she did not intend to discuss her mother’s presence at the opera.