The Angel of Pain

by E. F. Benson

“Of course I cannot help guessing what lies behind,” he said, “and conjecturing and reasoning. It may be several things; at least it may appear under several forms, but of this I am certain, that it is God. And will there be a blinding flash of joy, which shows me that even the sorrow and the death which is everywhere is no less part of perfection than the joy and the life? Even now, as you know, in my puny little attempts to be happy in the way that Nature is happy, youth has come back to me in some extraordinary manner, and when I see what I shall see, will immortal life, lived here and now, be my portion? I don’t know; I think it quite possible. And if that is so, if that is the initiation—ah, my God! that impulse of joy which I shall receive will spread from me like the circles in a pool when a stone is thrown into it.”

He paused again, his smooth brown hands trembling a little.

“The Pan-pipes, too,” he said—“they are never silent now: I hear them all the time, and I take that to mean that I am at last never unconscious of the hymn of life. I heard them at first, you know, just in snatches and broken stanzas, when I could screw myself up to the realisation of the song without end and without words that goes up from the earth day and night. Where does it come from? As I told Evelyn, I neither know nor care. Perhaps my brain conceives it, and sends the message to my ears, but it is really simpler to suppose that I hear it, just as you hear my voice talking to you now. For there is no question as to the fact of its existence; the hymn of praise does go on forever. So, perhaps, in my small way, I am complete, so to speak, with regard to that. Then—then there is another thing that may be behind the curtain. It may be that I shall be shown, and if I am shown this, it must be right and necessary—all the sorrow and pain and death that is in the world. I have turned my back on it; I have said it was not for me. But perhaps it will have to be for me. And that—to use a convenient phrase—will be to see Pan.”

He paused on the word, then shook his hair back from his forehead, and got up.

“And now I have told you all,” he said.

Philip got up, too, feeling somehow as if he had been mesmerised. He could remember all that Merivale had said; it was strangely vivid, but it had a dreamlike vividness about it; the fabric, the texture, the colour of it, for all its vividness, was unreal somehow, unearthly. But as to the reality of it and the truth of it, no question entered his head. He had never heard anything, no commonplace story or chronicle of indubitable events which was less fantastic. He looked out in silence a moment over the garden, and though half an hour ago he had been vaguely frightened at the thought of the mysterious and occult powers that keep watch over the world, yet now when they had been spoken of with such frankness, so that they seemed doubly as real as they had before, he was frightened no longer. It was, indeed, as Merivale had said; he had been afraid of fear.

It was already very late, and after a few trivial words he went indoors to go up to bed. As he got to the bottom of the stairs he looked back once, and saw his friend standing still on the verandah, with his face towards him. And as Philip turned, Merivale, standing under the lamp in his white shirt and flannels, with collar unfastened at the neck and sleeves rolled up to the elbow, smiled and nodded to him.

“Good night!” he said; “sleep well. I think you are learning how to do that again.”

Philip began undressing as soon as he got to his room, feeling unaccountably tired and weary. His servant slept in a room just opposite him, and he hesitated for a moment as to whether he should tell him not to call him in the morning till he rang, for he had that heaviness of head which only satiety of sleep entirely removes. But it was already late, and the man had probably been in bed and asleep for some time. So he closed his door, drew the blind down over his window, and put out his light. His brain, for all the vividness of that evening’s talk, seemed absolutely numb and empty, as if all memory were dead, and he fell asleep instantly.

He slept heavily for several hours, and then external sounds began to mingle themselves with his dreams, and he thought he was in a large, empty, brown-coloured hall lit by dim windows very high up, through which a faint, tired light was peering. But now and again the squares of these windows would be lit up for a moment vividly from outside, and as often as this happened some low, heavy, tremulous sound echoed in the vault above him like a bass bourdon note. He was conscious, too, that many unseen presences surrounded him; the hall was thick with them, and they were all saying: “Hush-sh-sh!” A sense of deadly oppression and coming calamity filled him, he was waiting for something, not knowing what it was. Then the coils of sleep began to be more loosened, and before long he awoke. His room looked out over the garden, and the “Hush-sh-sh” was but the rain that fell heavily on to the shrubs below his window. Then the light and the tremulous note were explained too, for suddenly the window started into brightness, and a couple of seconds after a sonorous roll of thunder followed. But the uneasiness of the dream had not passed: he still felt frightfully apprehensive. All desire for sleep, however, had left him, and for some half hour, perhaps, he lay still, listening to the windless rain, for the night was so still that his blind hung over the open window without tapping or stirring. Then with curious abruptness the rain ceased altogether and there was dead silence.