Then came the second outward sign from Madge. She took Lady Dover’s hand in both of hers.
“Don’t judge me too hardly,” she said. “I spoke very hastily, very wrongly. I have been thinking of my own misery too much; I have not thought enough about poor Evelyn. But I did not know there was such sorrow in the world.”
Lady Dover looked at her a moment, and drew her gently to a seat behind some bushes. And her own pretty, neat face was suddenly puckered up.
“Oh, Madge,” she said, “just let yourself go for ten minutes, and cry, my dear, sob your heart out, as they say. Have a good cry, dear; it will do you good. It is not cowardly, that—it helps one, it softens one, and it makes one braver perhaps afterwards. Yes, dear, let it come.”
And then the fountain of tears was unloosed, and those sobs, those deep sobs which come from the heart of living and suffering men and women, and are a sign and a proof, as it were, of their humanity, poured out. Madge had surrendered, she had ceased to hold herself aloof; brave she had been before, but brave in a sort of impenetrable armour of her own reserve. But now she cast it aside, and the womanhood which her love for Evelyn had begun to wake in her, came to itself and its own, more heroic than it had been before, because the armour was cast aside, and she stood defenceless, but fearless.
Before she went up again to Evelyn’s room she wrote:
My Dear Ellington,
I had no opportunity of speaking to you——
Then her pen paused; that was not quite honest, and she began again:
I ought to have just seen you before you went yesterday, and I must ask your pardon that I did not. I just want to say this, that I am more sorry for you than I can possibly tell you, and I ask you to say to yourself, and to keep on saying to yourself, that it was in no way your fault. Also perhaps you may like to know how entirely I recognise that, and so, I know, will he.