The Angel of Pain

by E. F. Benson

TWENTY-FIRST

FTER dinner that night, before she went to bed, Madge looked into Evelyn’s room several times and spoke to him gently. But on all these occasions he was lying quite still and he did not answer her; so, thinking he was asleep, she eventually retired to her own room just opposite, and went to bed. For the last two nights she had scarcely closed her eyes, but now, with the intense relief of knowing that Evelyn knew, of feeling, too, that he was bearing it with such wonderful quietness and composure, she fell asleep at once and slept long and well.

But her husband had not been asleep any of those times that she went into the room. He had never felt more awake in his life. But he had not answered her, because he had felt that he must be alone: just now nobody, not even she, could come near to him, for he had to go into the secret place of his soul, where only he himself might come. And as at the moment of death not even a man’s nearest and dearest, she with whom he has been one flesh, may take a single step with the soul on its passage, but it has to go absolutely alone, so now none could go with Evelyn; for in these hours he had to die to practically all, Madge alone excepted, which the word “life” connoted to him. And having done that, he had to begin, to start living again. There Madge could help him, but for this death, this realisation of what had happened, this summing up of all that had been cut off, he had to be alone.

There was no comfort for him anywhere: nor at any future time could comfort come. There would be no “getting used” to it, every moment, every hour, that passed would but put another spadeful of earth on his coffin. There was no more night and morning for him. Sunset and sunrise spilt like crimson flames along the sky existed no more: the green light below forest trees was dead, the clusters of purple clematis in his unfinished picture had grown black, there was neither green nor red nor any colour left, it was all black. The forms of everything had gone, too; it was as if the world had been some exquisite piece of modelling clay, and that some gigantic hand had closed on it, reducing it to a shapeless lump: neither shape nor colour existed any more. People had gone, too, faces and eyes and limbs, the gentle swelling of a woman’s breast, outline and profile and the warm, radiant tint of youth were gone, there was nothing left except voices. And voices without the sight of the mouth that spoke, of the shades of expression playing over the face, would be without significance: they would be dim and meaningless, they would not reach him in this desert of utter loneliness, where he would dwell forever out of sight of everything. And that was not all; that was not half. Of the world there was nothing left but voices, and of him what was left? Was he only a voice, too?

He was blind, that is to say, his eyes must have been practically destroyed. And the bandages extended, so he could feel, right up to his hair, and down to his upper lip. There were other injuries as well, then. What were they? How complete was the wreck? Above all, did Madge know, had she seen? If ever love had vibrated in a voice, it had in her’s, but did she know, or had she only seen these bandages?

With his frightfully sensitive artistic nature, this seemed to cut deeper than anything, this thought that he was disfigured; horrible to look on, an offence to the eye of day and to the light of the sun, and—to the sight of her he loved. He would be pitied, too; and even as man and woman turned away from the sight of him they would be sorry for him, and the thought of pity was like a file on his flesh. Would it not have been better if the shot had gone a little deeper yet? His maimed, disfigured body would then have been decently hidden away and covered by the kind, cool earth, he would not have to walk the earth to be stared at—to be turned from.

His nurse not long before had made her last visit for the night, and, seeing him lying so still supposed, like Madge, that he was asleep, and had gone back to the dressing-room next door, to go to bed herself. His progress during the day had been most satisfactory, the feverishness had almost gone, and the doctor, when the wounds were dressed that afternoon, had been amazed to see how rapidly and well the processes of healing were going on. Certainly there was no lack of vitality or recuperative power in his patient, nor in the keenness and utter despair of his mental suffering was vitality absent. That same vitality coloured and suffused that; he saw it all with the hideous vividness of an imaginative nature. Doubt and uncertainty, however, here were worse than the worst that the truth could hold for him, and he called to the nurse, who came at once.

“What is it, Mr. Dundas?” she asked. “I hoped you were asleep. You are not in pain?”

“No, not in pain. But I can’t sleep. I want to ask you two or three questions. Pray answer them: I sha’n’t sleep till you do.”