Besides this facility in technique, the power of perception of beauty, which in many of the finest minds requires years of delicate cultivation before it becomes at all mature or certain, was already present in Martin in apparent fulness of growth; it was already an instinct exerting and asserting itself, not through habit, but through intuition. It was so much the dominating ingredient in the composition known as Martin Challoner that almost everything else might be considered as a mere by-product. His whole will, his whole energy, was at its service. When once it called to him, as it had called to him in his adoption of the Roman faith, it seemed he had to obey and could not question. It was to him a law that he could not transgress.
But all this, the charm of which Karl Rusoff felt almost too keenly for his peace of mind, he knew to be extremely dangerous, and to him this exultant, beautiful mind was entrusted with all the responsibility that it entailed, to fashion, to train, to prune. With a true and honest modesty he recognised how menial, so to speak, his work in regard to Martin was; but this did not lessen the responsibility. He was, to rate himself at the highest, the gardener who had to bring this exquisite plant into fulness of flower, to feed, to water, to cut, and, above all, to let air and sun, the great natural influences, have their way with it. He did not believe in forced growth or in sheltered cultivation; as he had told Martin in the summer, every emotion, every pain and joy, so long as it was not sensual, was his proper food. The richer his experience was, the richer would his music be. Karl had already seen a first clear endorsement of his view in the circumstances attending Martin’s secession to the Roman Church. He himself did not know with any exactitude of detail what had passed between him and his father, but though the painfulness of that had knocked Martin completely up for a time, what he himself had foreseen had come true, and he could hardly help inwardly rejoicing at even the cruelty of Mr. Challoner’s attitude to his son, so great had been the gain to Martin artistically. He had suffered horribly, and was the better for it. Afterwards—the thing had taken place now more than two months ago—the elastic fibre of his youth had reasserted itself, and his exuberant health of body and mind had returned to their former vigour. The pain had passed, the gain remained.
Then to Karl’s reverie there came the interruption he had been expecting. A quick step sounded outside, then a noise as of a large quantity of books being dropped in the passage, a loud and hollow groan, and, after a short pause, Martin, with half a dozen volumes of music, entered, flushed, vivid in face, muddy in boots.
“I am late,” he said, “also I am sorry. But there was not a cab to be found. So I ran. I ran quicker than cabs. Oh, how hot I am!”
Karl’s face lighted up as he saw him. He himself was unmarried and rather lonely in the world till this child of his old age had come to him, who should be, so he told himself, the crown of his life’s work, and illuminate the dull world, long after he himself was dead, with the melodious torch that he had helped to light.
“Are you late?” he said. “I have only just finished practising myself. My dear child, how hot you are. Let us have tea first. And are you dining out to-night? If not, have a chop with me here, and we can work a little afterwards as well. You have not been to me for a week.”
“Yes, thanks, I should like that,” said Martin. “I have been down at Chartries, as you know, for a couple of days.”
He paused a moment, frowning at the fire.
“No; it was no good,” he said. “My father would not see me. He even opposed Helen’s coming to Uncle Rupert’s while I was there. But she came.”
“How is she?” asked Karl.