Between them they occupied, just now, the apex of social as well as most other successes in London, and were a very typically modern couple. Sir Reginald Plympton had in early life invented an oil-cloth of so eminent an excellence that in its manufacture and exploitation he had been too busy to really master the English aspirate, which still bothered him. But to make up for this he had carefully cultivated his aspirations, and had (entirely owing to oil-cloth), while not yet sixty, amassed a colossal fortune, married the daughter of an impecunious duke, won the Derby, and now stood perched on the topmost rung of the ladder of English society. He had a yacht, which never went for long cruises, but always anchored for the night in some harbour. Being a bad sailor, he left it, if there was a chance of bad weather, before it weighed anchor in the morning, and joined it again on the ensuing evening. Similarly he sat in his wife’s opera-box during intervals between the acts, and left his place on the rising of the curtain. He was already a baronet and an M.P., and his peer’s coronet, so to speak, was now being lined.
Yet care, though only like a little draught, just stirred the warm air of Lady Monica’s drawing-room and made the palm-trees rattle. She had often talked the matter over with her husband, who had no very practical suggestion to make. He would stand before her, very square and squat, with his hands in his pockets, rattling money in the one and keys in the other, and say:
“Well, my lady, you give ’er a good talkin’ to. Tell ’er to be a good girl, and be sensible. And now I must be off.”
For the fact was that Stella was now nearly twenty-three. She had refused several very suitable offers, and her mother, extremely anxious, as all good mothers should be, to get her married, had lately begun to be afraid that she was “being silly.” This in her vocabulary meant that Stella was in love with somebody (Lady Monica thought she knew with whom) and was not clever enough to make him propose to her. What added enormity to her “silliness” was the fact that he was extremely eligible. Lady Monica had no sympathy with this sort of thing; she had never been silly herself, and her own sentimental history had been that some twenty-four years ago she had wooed, proposed to, and wedded her Reginald without any fuss whatever or any delay. She was a woman with a great deal of hard, useful common sense; she always knew exactly what she wanted, and almost always got it. Her only weakness, in fact (with the discovery of the new masseuse, her complexion had become a positive source of strength), was for feeble flirtations with young men of the age which she herself wished to look. These never came to anything at all; and when the young man in question married somebody perfectly different, she told all her friends that she had made him. She had during the last week or two, since the session had brought them to London, done a little vicarious love-making to Martin on Stella’s account, and enjoyed it on her own. She was a perfectly honest woman, and only played with fire as a child plays with matches, lighting them and blowing them out, and she never really set fire to herself, and quite certainly never even scorched anybody else.
But anxiety, like a draught, had reached her with regard to Stella’s future, and the next evening, when Lady Sunningdale happened to be giving a menagerie-party, she determined to have a few words with her, for she was looked upon as a sort of book of reference with regard to the twins. The menagerie-party was so called because for a week beforehand Lady Sunningdale drove about London a good deal and screamed an invitation to everybody she saw in the streets. The lions only were fed; the meaner animals and those lions only observed too late to ask to dinner came in afterwards.
Lady Monica and Stella belonged to this second category, and Lady Sunningdale hailed them with effusion.
“Dearest Monica, so glad to see you,” she cried. “All sorts of people are here, whom I’m sure I don’t know by sight, and I’ve just revoked at Bridge (double no trumps, too; isn’t it too dreadful!), and Suez Canal tried to bite the Prime Minister. Wasn’t it naughty? But, you see, Suez is a Radical,—though he shouldn’t bring politics into private life. Stella, I haven’t seen you for years. Yes; Martin’s going to play, of course. Have you heard his tune which imitates me talking in a very large hat? Simply heavenly; exactly like. Even Sunningdale awoke the other evening when he played it, and asked me what I was saying. How are you, Frank? No sign of relenting on the part of the obdurate father? How dreadful! Yes. Dearest Monica, how well you are looking, and how young! (“New masseuse,” she thought to herself. “I must worm it out.”) Do let us go and sit down. I’m sure everybody has come. Oh, there is the Spanish Ambassador. He killed his own father, you know,—shot him dead on the staircase, thinking he was a burglar, and came into all that immense property at the age of nineteen! How picturesque, was it not, and such a very Spanish thing to do! Such a good shot, too. How are you, señor? Yes; they are playing Bridge in the next room. And they say there is sure to be a dissolution in the autumn.”
Lady Sunningdale poured out this spate of useful information in her usual manner, addressing her remarks indiscriminately to any one who happened to be near, and Lady Monica waited till the flood showed some sign of abating. She had a vague contempt for Lady Sunningdale’s “methods,” considering that she diffused herself too much. She never caught hold of anything and held tight till everybody else who wanted it let go from sheer fatigue, which was a favourite method of her own. On the other hand, Lady Sunningdale certainly managed to pick up a great many bright objects as she went along, even though she did drop them again almost immediately.
“Do come away and talk to me, Violet,” said Lady Monica, when for a moment there was silence. “I came here entirely to have a confabulation with you.”
“Yes, dear, by all means. I have heard nothing interesting for weeks except the things I’ve made up and told in confidence to somebody, which have eventually come round to me again, also in confidence. What’s it all about?”