The Freaks of Mayfair

by E. F. Benson

Climbers: I: The Horizontal.

and contentedly admired the enlarged view. Nor was he the least surprised when at the end of this particular season, his Molly persuaded him to move Mayfairwards, and purchase (the fact that it was a great bargain made little persuasion necessary) a house in Brook Street with a ball-room.

Molly Howard-Britten (the hyphen appeared this summer) had chosen for her mascot a Member of Parliament who had lately entered the Ark of the Cabinet, and was uncomfortable at home because his wife had an outrageous stammer and an inordinate passion for wool-work. Mr. Harbinger was of course a Conservative, for to the climber that notorious body, the House of Lords, constitutes a considerable proportion of the top of the tree, and the House of Lords is generally supposed to be of the Tory creed. It was safer, therefore, as she looked forward to a good deal of their society, to have a Conservative mascot. She on her side offered a quick feminine wit to amuse him, a charming face and manner, and really admirable food. Mrs. Harbinger came once or twice, bringing her skeins with her, but since she disliked dinner-parties as much as she adored worsted, it soon became common for her husband to dine with the Howard-Brittens alone. The Howard-Brittens spent a week-end with the Harbingers, and there Molly easily secured three or four of his friends to dine with her on the following Friday week. On this occasion one of them was going on to a very sumptuous tree-top ball afterwards, and during dinner she was rung up by the hostess who, agitated by the extreme inclemency of the night, begged her to bring a guest or two more along with her. This was luck: Molly went, and being a remarkably good dancer spent an evening that proved both agreeable and profitable. By the end of the season she had got well placed among the lower branches of the tree, and, perhaps a shade too soon, since it is not quite so easy to be a hostess as might be supposed, took the Brook Street house with the ball-room.

She spent a rather sleepless August with her husband at Marienbad, and began to make her first mistakes. She gave picnics, and being in too great a hurry to secure a crowd, secured the crowd, but unfortunately it was the wrong one. She asked every one to come and see her when they got back to England, but those who came were not for the most part the singers in the top branches, but climbers like herself. This fact vaguely dawned on her, and she determined to rectify it when, with the assembling of Parliament in November, her mascot would be in town again. She did rectify it, and in the rectification made things much worse, for she gently dropped all the people she did not want, and made herself a quantity of enemies, not interesting, splendid enemies, whose attention it was an honour to attract, even though that attention wore a hostile aspect, but tiresome, stupid little enemies. Then a stroke of ill-luck, which was not at all her fault, befell her, for in January there was a general election, the Conservatives were turned out, and worse than that, Mr. Harbinger lost his seat. Her attempt to make her house a rallying-spot for the vanquished party signally failed.

Then she made her second mistake. Politics having proved a broken reed, she adopted the dangerous device of pretending to be extremely intimate with her mascot, alluding to him as ‘Bertie,’ and if the telephone bell rang excusing herself by saying that she must see what Bertie wanted. Had people believed in the intimacy of this relation, one of two things might have happened: she might either have made herself an object of interest, or (here was the danger), she might have had a fall. She had not at present climbed very high, so she would not have hurt herself fatally, but neither of these things happened. Nobody cared, any more than they cared about her having added Howard and the hyphen to her name. Thus an unprofitable spring passed, and, as a matter of fact, she was beginning to climb out along a horizontal branch.

With May there came to town the noted Austrian pianist, Herr Grossesnoise. His fame had already preceded him from Vienna, and remembering that she had once seen him at Marienbad, Molly Howard-Britten wrote to him boldly and rather splendidly at the Ritz, reminding him of their meeting (he had stepped on her toe and apologized with a magnificent hat-wave), and begging him to come and dine any day next week except Thursday, which she knew was the evening of his first concert. She wrote—and here her fatal horizontality came in—on paper with a coronet and another address on the top, hoping that she might strike some streak of snobbism. She had come by this paper quite honestly, having stayed in the house and having taken a sheet or two of the paper put on the writing-table of her bedroom, obviously for the use of guests. So now she used it, crossing out the address, and substituting for it 25A Brook Street, Park Lane. A favourable answer came, addressed to the Highly Noble Lady Howard-Britten (for he prided himself on his English), on which the Highly Noble scrawled a couple of dozen notes to musical friends and acquaintances (chiefly acquaintances), asking them to dine on the forthcoming fatal Friday, which was the day after Herr Grossesnoise’s first recital, to meet the illustrious Austrian.

So far all was prosperous and the climbing weather stood at ‘set fair.’ It is true that she had changed horses in mid-stream, for in intention she definitely unharnessed poor Mr. Harbinger, and put the unsuspecting pianist in her shafts. But the fatal thing about changing horses in mid-stream is that the coachman usually puts in a worse horse, which Mrs. Howard-Britten had not done, since Mr. Harbinger could not at the present time be considered a horse at all. Already musical London was interested in the advent of her new mascot, for he had been well advertised, and of her twenty-four invitations, nineteen guests instantly accepted, who with her husband and the Herr would cause ‘covers to be laid,’ as she was determined the fashionable papers should say, for twenty-two. Then she settled to have an evening party afterwards, and though on the couple of hundred invitations which she sent out she did not definitely state that Herr Grossesnoise was going to play, she wrote on the cards ‘To meet Herr Grossesnoise.’ But when you see a pianist’s name on an ‘At Home, 10.30. R.S.V.P.’ it is not unnatural to suppose that he is going to be a pianist in very deed. Among these two hundred she asked a fair sprinkling of people she wanted to know, but at present didn’t, and had a Steinway Grand precariously hoisted through the window into her drawing-room and retuned on arrival. But in these arrangements her potential horizontality came out more glaringly than ever, for she took a middle course which no climber ever should. She was indefinite, she did not actually know whether Herr Grossesnoise would play or not. Either she ought to have engaged him to play at any fee within reason, if she meant (as she did mean), to make a real spring upwards to-night, or she should not have mentioned the fact that he was coming. As it was, every one supposed he would play, and since his recital the day before had roused a furore of enthusiasm in the press, almost all her two hundred evening-party invitations were accepted. A whole section of Brook Street was blocked with motor-cars, and several aspiring Americans who found it impossible to get to their hotel for the present looked in unasked until the road was clear. But as Mrs. Howard-Britten knew no more than a high percentage of her guests by sight, the gratuitous honour thus done her passed undetected.

The evening was a failure of so thorough a description as to be almost pathetic. Herr Grossesnoise played, but not the piano. He came up from the dining-room, slightly rosy with port and altogether inflated with his success, into the drawing-room, set with row upon row of small gilt chairs, and proceeded to do conjuring-tricks in a curious patois of German, French, and English. He insisted on people taking cards from him, and on guessing the cards they had chosen, pressing them continually on his hostess and exclaiming, ‘That is the Funf de piques, Lady Howard-Britten.’ His colossal form and his iron will permeated the room, while he insisted on doing trick after trick and pointedly addressing his hostess as Lady Howard-Britten, till she got almost to hate the sound of that desired prefix, while all the time the Steinway Grand yawned for him. More bitter than that was the fact that he asked Lady Howard-Britten to play a little slow music (‘You play, hein, miladi?’) while he did the most difficult of his tricks, and there the poor lady had to sit, when it was he who should be sitting there, and try to remember ‘White Wings they never grow whiskers,’ or some other waltz of her youth. By degrees the growing fury of her guests generated that force of crowds which no individual can withstand, and in mass they rose and went downstairs, so that by half-past eleven the rooms were empty but for the pianist and his host and hostess. Even then he would not desist, but went on with his ridiculous tricks till she could have cried with fatigue and thwarted ambition.

But no climber sits down over a reverse even as crushing as this, and Mrs. Howard-Britten determined to wipe out her failure with a ball. She got hold of a good cotillion-leader, and gave him practically carte blanche as regards the presents, engaged her band, and issued a thousand invitations. When the dancing was at its height there were precisely ten couples on the floor, and every one went home laden like a Christmas tree with expensive spoils.