"But the thing is absurd. In any case, what does he mean by saying that he doesn't know what will happen when he paints himself? It seems to me that in the case of Mr. Bracebridge, so far from Frank putting a lot of himself into the picture, he unfortunately absorbed a lot of Mr. Bracebridge into himself."
"Frank was quite unconscious he had become a liar," said Margery; "but what he means is this: he put a lot of his own personality into the picture—really the whole thing is so absurd that I am ashamed to tell you about it—and consequently weakened himself, or, as he would express it, emptied himself. And being in this state, Mr. Bracebridge's little weakness impressed itself on him. That certainly happened, and it seems to me only likely. We are all affected by any one with whom we are much taken up, but what Frank assumes is the loss of his own personality. That is absurd."
"Frank was like a hypnotic subject, in fact," said Jack—"at least, they say that they give themselves up, and subject themselves to another's will. But even then—and, like you, I think the whole thing is nonsense—how will the painting of his own portrait affect him?"
"Like this: he puts his whole personality into it and receives nothing in exchange; no other personality will, so to speak, feed him. Really, he is very silly."
The sound of carriage-wheels caused them to turn in their stroll and walk back again to the house.
"Incidentally," asked Jack, "how did he cease to be a liar?"
Margery looked at him openly and frankly.
"Oh, by painting me. I am very truthful."
"Did he absorb any other characteristic?"
"Yes; he became less fantastic for a time. You see I am very unimaginative."