"Frank! Frank!" she said.
"Wait a moment," said he. "I wish to tell you more. A critic has no right, as I said, to criticise unless he knows more about the picture than the artist, but the artist may criticise his own picture. This is my picture—all mine. And it is me. It is all true. Do you remember last Sunday, Margy, when Greenock read about the judgment books being opened, and every man being judged by what was written in them? By-the-way, Mrs. Greenock writes sonnets. He said she was an accomplished sonneteer. Well, do you know what those books are? They are nothing else than the faces, the real faces, of the men who are being judged. What chance do you think I shall have, for that is my book you see painted there—an illuminated manuscript. Why did you wish me to do it so much? Can you read it all? Can you see the Café Chantant in it? Can you see Paris, and the cruelty and the sweetness and bitterness of it? Can you see Claire in it, petite Claire, and the end, the whole of it, the pleasure, the weariness, the—the morgue? Yes, that was where I saw her last."
"No, Frank, no," said Margery; "don't tell me."
"It is not pleasant," said he. "It is not amusing to go to hell, as I have gone. This is not a nice book to read; I wish now I had never written it—'The Life and Adventures of Frank Trevor,' by himself."
The horror of great darkness had come on Margery. She felt the physical result, which is stronger than all things in the world except love. She loved Frank and Frank loved her. There was still a chance.
Frank had picked up from the table the little yellow programme which he had painted and held it in his hands, turning it over and over.
"It won't break," he said, "it won't bend. My God! what am I to do? But—but I have written my judgment book; yet there are some chapters which I have not written. I cannot remember them. They were some chapters you and I wrote together about— But you will have forgotten—you gave me up. Margy, cannot you remember what they were? There was one chapter we wrote down in that little creek where we went to-day."
Frank stopped, and looked about the room as if he were searching for something. In that pause love triumphed. Margery went to him quickly. The physical revolt was dead, for she loved him. She laid her hand on his shoulder.
"Frank," she said, "do you remember that you asked me whether I wished you to go on with that picture? I said I did, but I am here to tell you that I have changed my mind. I think you had better not go on with it. Tear it up, burn it. It is not good; it is devilish. And when you have done that we will go and find those chapters you spoke of, which we wrote together, you and I alone. Did you think they were lost? Could you not remember them? I remember them all. I have them quite safe. There are none of them lost."
For a moment a look of intense relief came over Frank's face. Even in the darkness Margery could see that it had changed utterly. She glanced with sick horror at the portrait which only five minutes before she had thought was actually her husband. But almost immediately he shook his head.