Not far in front of them, the centre point of Amelie's sketch, rose a huge thorn, covered with clusters of crimson blossom, standing in full sunlight, so throbbing and bursting with colour that she almost fancied she could see on the pale green of the slender-fingered birches that grew near some red reflection of that glorious blaze. To the right of it one could see through the tree-trunks the gray palings of an enclosed cover, where the ground tumbled upwards under pines, and the velvet of the turf was riddled and sandy with rabbit-holes. A fringe of elders, with the white umbrella of their flowers, grew there, and tawny honeysuckle added one more note to the great symphony of delicate woodland smell.
And even more entrancing than the woodland smell, more subtly mingled than that bouquet of coolness and greenness, of the aroma of pines, the drowsiness of the honeysuckle, the languor of the elders, was the symphony of woodland sound, the forest murmur that filled the ear even as the greenness filled and refreshed the eye. The hum of insects, of bees at their fragrant labour, was the bourdon note that pervaded everything; a light breeze stirred in the trees, calling out of each its own distinctive note—from the pines the sound of waves very far off, from the birches a thin, sibilant murmur, from the beech something a little lower in the scale, and from the tall grasses a whisper and a sigh. A late cuckoo chimed, still mellow-throated, doves moaned softly, thrushes fluted their repeated notes from bush to bush, calling to one another in the joy of the great vigorous life that filled these enchanted glades, and out in the open larks, black specks against the blue, hung over the nests of their mates, and towered in the triumph of their song. But best of all, pervasive even as the hum of bees, was the ripple and gurgle and chuckle and pouring of water, that one note more liquid than the nightingale's.
Right down the centre of the glade came the stream, brimmed with the rains of spring, and filling its bed from edge to edge. Here its course lay over gravel-beds, and the pebbles glanced and glimmered with the living light that the sun poured down through the pellucid transparency of the water. Then came a sharp elbow in its course, and it fretted its way, with sound of melodious outpouring, through the tangled roots of some tree that stood bare in the angle of the turning. Then for a space the ground was more clayey, and a carpet of green water-weeds were combed and waved by the woven ropes of water. Deeper pools lay here, and under the protection of the banks, where some promontory of rocky stuff made a breakwater, the broad fans of water-lilies and the golden crown of their blossoms found anchorage for their sappy stems. Dragon-flies, as if revisiting the scenes of their childhood, where they had nosed in the mud, or lain, blind, pupre, till the spring of their awakening, hovered iridescent and flashed like jewels flying through the air over the sunlit shallows; white-throated swallows skimmed up-stream, and companies of swifts chided together. Rushes waded knee-deep into the water, loose-strife stepped gingerly to the brink, and to all the stream prattled and sang and went on its sweet way.
Amelie laid down her brushes, and held out her sketch to Bertie.
'Criticise,' she said.
He looked at it a moment in silence.
'It's very good,' he said; 'but you still want the—the big softness of it all. It is still a little hard.'
She sighed.
'I knew you would say that,' she said, 'and it's perfectly true. Perhaps I shall get to be able to do it in time. It's all very well to say that a sketch is merely a matter of line and colour, but it isn't; there is a "feeling" which is beyond either.'
She took it back from him.