Bilton raised his eyebrows. This was indeed a woman of 'infinite variety.'
'You cannot alter your play for fear she will be there,' he said.
'No; I suppose not. I say, what devils we are!'
The play was an enormous success, and Mrs. Emsworth's personality seemed to lift it out of the regions of the equivocal. The part, that of a woman who represented the triumph of mind over morals, fitted her like a glove, and it was as impossible to be shocked as it is when a child uses a coarse or profane expression. Her impropriety was no more improper than is the natural instinct of a bird or animal improper; by a supreme effort of nature rather than art she seemed to roll up like an undecipherable manuscript the whole moral code, and say, 'Now, let's begin again.' Her gaiety covered her sins; more than that it transformed them into something so sunlit that the shadows vanished. Even as we laugh at Fricka when she inveighs against Siegmund and Sieglinde, feeling that condemnation is impossible, because praise or blame is uncalled for and irrelevant, so the ethical question (indeed, there was no question) of whether the person whom Mrs. Emsworth represented behaved quite 'like a lady 'never occurred to anyone. Her vitality dominated the situation.
Of all her audience, there was none so utterly surprised at the performance as Bilton. He knew her fairly well, but he had never seen in her half so clearly the triumph of temperament. Knowing her as he did, he knew it was not art; it was only an effort, unique and unsurpassable, to be herself. Again and again he longed to be a play-wright; he could write her, he felt, could he write at all, a part that would be she. For never before had she so revealed herself a sunlit pagan. And as the play went on, his wonder increased. She was admirable. Then Mrs. Massington, who sat next him, laughed at something he had not seen, and for the moment he was vexed to have been called down from the stage to a woman less vivid, for his sensualism was of a rather high order.
Late that night, after the supper that followed the entertainment, he went upstairs. In Mon Repos there was no barbaric quenching of electric light at puritanical hours, no stranding of belated guests in strange passages, and he walked up from the smoking-room with his hands in his pockets, unimpeded by any guttering bedroom candle. The evening had been a triumph for Dorothy—in the mercantile way it had been as great a triumph for him, for the cachet of success at Mrs. Palmer's would certainly float the play in New York. The Gutter Snipe, he reflected, would have at least a column of virulent abuse, since it had been performed at Mon Repos. So much the better; he would have a whole procession of sandwich men, London fashion, parading Fifth Avenue, every alternate one bearing the most infamous extracts from that paper. To use abuse as a means of advertisement was a new idea ... it interested him. Certainly, Dorothy had been marvellous. She was a witch ... no one knew all her incantations ... and he paused at his bedroom door. She had gone upstairs only five minutes before him. Since the performance she had been queen bee to the whole party; he himself had not had a word with her. Surely even Puritanical Long Island would not be shocked if he just went to her even now for a minute, and congratulated her. Besides, Puritanical Long Island would never know. So he tapped softly and entered, after the manner of a man whose tap merely means 'I am coming.'
The room was brilliantly lit. Mrs. Emsworth was standing by the bed. By her, having looked in for a go-to-bed chat, was Sybil Massington.
CHAPTER IX
Mrs. Emsworth had a rehearsal early next morning at New York, and in consequence she had to leave by the Stock Exchange train at nine, while most of the inhabitants of Mon Repos were still reposing. She herself was down and out before anyone had appeared, for she had slept but badly, and had awoke, definitely and irrevocably, soon after six. Sleeping, as her custom was, with blinds up and curtains undrawn, the glory of the morning quickly weaned her from her bed, and by soon after seven she was strolling about outside in the perfection of an early September hour. There had been a little thunder during the night, and betwixt waking and sleeping she had heard somewhat heavy rain sluicing on to the shrubberies and thirsty grass, and now, when she went out, the moisture was lying like unthreaded diamonds in the sun, and like a carpet of pearls in the shade. Many gardeners were already at work, some on the grass and flower-beds, others bringing up fruit from the greenhouses, and all looked with wide-eyed yokel amazement at the famous actress as she walked up and down. One of them had brought his small child, a boy of about six years old, with him, and the little lad, with a bunch of Michaelmas daisies in his cap, very gravely pushed at one handle of his father's wheelbarrow.