Philip made a quicker movement than he had done since 9.30 a.m. three mornings before, the same being the moment when the lumbago stabbed him.
"Five thousand pounds!" he exclaimed. "Why, the man's a thief! Joyce, five thousand pounds. A liar too! He acknowledges he told lies about that young Lathom. I've never had such a shock in my life. And the interest on all this money. Doesn't he owe me that as well? Is it that he means by throwing himself on my mercy? I am not sure that I am inclined to be merciful about that...."
Then he made an enormous concession.
"Joyce, we must certainly show young Lathom that—why, I am sitting quite upright in bed, and felt nothing when I moved—as I say young Lathom must certainly be told that he may come down to see his copy. It would not do to be less generous than Craddock about that. But I am very much shocked: I hardly know what to say. Anyhow I will have my bath at once. And you might look up the trains to Torquay, my dear. Your grandmother and young Lathom must come down after we get back. Really, even when I move, I feel no pain at all, only a little stiffness. They say a great shock sometimes produces miraculous results...."
Joyce never quite determined the nature of this shock: sometimes it seemed only reasonable to suppose it was the shock of joy at this unexpected and considerable sum of money, sometimes she construed it into a shock of horror at this self-revelation of their travelling companion. But certainly the lumbago ceased from troubling, and two days afterwards they started for Torquay.
[CHAPTER X.]
It was the day of the private view of the Academy; all morning and afternoon a continuous stream of public persons had been flowing in and out of the gates into Piccadilly and the mysterious folk who tell the press who was there, and how they were dressed, and to whom they were seen talking, must have had a busy day of it, for everybody was very nicely dressed, and was talking rather more excitedly than usual to everybody else. In fact there was hubbub of a quite exceptional kind, connected, for once in a way, with the objects which, nominally, brought these crowds together. The crowd in fact was not so much excited with itself (a habit universal in crowds) as with something else. Indeed the sight of Akroyd, who had just been knighted, talking to Tranby (who just hadn't) roused far less attention than usual, and all sorts of people whom he was accustomed to converse with on the day of the private view hurried by him as he stood in an advantageous position in front of an extremely royal canvas at the end of the third room, catalogue in hand, scrutinizing not him, but the numbers affixed to the pictures. For a little while he was inclined to consider that a tinge of jealousy, perhaps, or of natural diffidence, more probably, prompted these inexplicable slights, but before long he became aware that there was something in the air besides himself. Opportunely enough, Craddock made his appearance at the moment, and Sir James annexed him.
"Something up: something up, is there, Craddock?" he asked. "Yes: many thanks, my lady is very much pleased about it. But surely, there is an unusual animation—how de do?—an unusual animation about us all this morning. Is it a picture, or a potentate, or a ballerina? Ah, there is young Armstrong. Armstrong, I hope you will come to the hundredth night this evening. I shall say something about you at the call. No doubt your friends in front will demand you also."
Frank looked Craddock full in the face for a moment, and decided to recognize him.