Just as Craddock might have made a certain sinister suggestion to Philip Wroughton about Charles, had he known that after she left them she read and re-read two common-place little letters and regarded something that had once been a straw hat, so to-day he might not have foregone lunch and sat in the agreeable tropics underneath the Bath Club (as a matter of fact these processes made him so hungry that he indulged in a sandwich or two afterwards) in the heroic hue-and-cry after his vanished youth, if he had been aware of Charles' immediate occupation after he had left him. There was another canvas, a big one, leaning with averted face in the corner of his studio. It represented a girl kneeling among forget-me-nots at the edge of a stream. Behind was a spouting-weir. He had half a dozen sketches of the weir to help him, some very carefully finished, which he had made in preparation for that picture of the bathing-boy, and he had so many sketches, more vivid than these, more brilliantly lit by the steadfast lamp within his brain, to help him.
But he had felt he could not show this to Craddock: he did not know if he could ever show it to anybody, it was his own, or hers, if ever she cared for it or for him.... But it was not Craddock's. Eagerly now he pulled it into the light.
It mattered not what he worked on, in this picture, so long as he worked at it The figure that knelt there, dressed in stained blue, had suffused the whole, so that the grey camp sheltering below the weir, the loosestrife and meadow-sweet, the rope of hurrying water, woven by the force of the stream, were all part of her. Unsuspicious and trustful by nature, relying on Craddock's experience and knowledge of the world, on his brief assurance that there was nothing below the curt note which had given Charles leave to see his Reynolds' copy after the family had gone, he wiped off his mind, almost without an effort, the vague doubts that had for the last week or two tarnished and dimmed it. Craddock, who had been so uniformly kind to him, who had almost lapsed into parental sentiment to-day, had not thought his doubts worth a moment's debate. Besides, what could have occurred to change the friendliness of the family into this cold acidity? What, also, could be more reasonable than the explanation which Craddock threw off, over his shoulder, so to speak, of Philip's amazing solicitude for the complete provision of his own comfort.
"Blue! Blue! What a world of blues! Sky, dress, eyes, forget-me-nots, reflection of sky, reflection of dress, and eyes that looked straight into his." These reflections came not into his picture ... he caught and kept these....
Craddock's prophecy (the wish perhaps being father to it) that the two young men whom he had benefited would not find much in common, seemed at their first meeting to be likely of fulfilment. They met at the theatre, and Charles' enthusiastic appreciation of the piece, at the second time of witnessing it, seemed to rouse Armstrong's contempt.
"I wish you had told me you had seen it before," he said as they lounged and smoked between the acts, "and we could have gone to something else."
"But there's nothing else I should have liked so much," said Charles eagerly. "I think that scene between Violet and the curate is simply priceless. Do tell me about it? Did you know people like that?"
Frank beckoned to the man in the box-office.
"Just show me the returns for this week," he said. Then he answered Charles.