All next day the chaos in the new house grew more and more abysmal as the vans were unloaded. The plan of putting everything instantly and firmly into its place failed to come off; for how could you put anything firmly or otherwise into the dining-room when for two hours the refrigerator blocked access to it? Meantime books were stacked on the floor, layers of pictures leaned against the walls; the hall got packed with tables and piles of curtains, and finally, about five of the afternoon, arrived the grand piano. The foreman gave but one glance at the staircase, and declared that it was quite impossible for it to go up, and pending some fresh plan for its ascension, it must needs stop in the hall too, where it stood on its side like the coffin of some enormous skate. By making yourself tall and thin you could just get by it.
Trouble increased; soon after nightfall a policeman rang at the door to tell me I had an unshaded light in a front room. So I had, and, abjectly apologizing, I explained the circumstance and quenched the light. Hardly had he gone, when another came and said I had a very bright light in a back room. That seemed to be true also, and since there were neither blinds nor curtains in that room, where I was trying to produce some semblance of order, my labours there must be abandoned. But the more we tidied, the more we attempted to put pieces of furniture into their places, the worse grew the confusion, and the more the floors got carpeted with china and pictures and books. It was as when you eat an artichoke, and, behold, the more you eat, the higher on your plate rises the débris.
About midnight Kino went home; the servants had gone to bed, and I was alone in this nightmare of unutterable confusion. Till one I toiled on, wondering why I had ever left the old house, where the spirit of home was now left lonely. No spirit of home had arrived here yet, and I did not wonder. But just before I went to bed I visited the kitchen to see how they had been getting on downstairs, and for a moment hope gleamed on the horizon. For sitting in the middle of the best dinner-service, which was on the floor, was Cyrus, my blue Persian cat, purring loudly. His topaz eye gleamed, and he rose up, clawing at the hay as I entered. He liked the new house; he thought it would suit him, and came upstairs with me, arching his back and rubbing himself against the corners.
[OCTOBER, 1915]
For two days the grand piano remained on its side at the bottom of the stairs, while furniture choked and eddied round it, as when a drain is stopped up and the water cannot flow away. It really seemed that it would stop there for ever, and that the only chance of playing it again involved being strapped into a chair, and laid sideways on the floor. Eventually the foreman of the removal company kindly promised to come back next morning, take out the drawing-room window, and sling the creature in. This would require a regiment of men, and the sort of tackle with which thirteen-inch guns are lifted into a ship. He hoped (he could go no further than that) that the stone window ledge would stand the strain; I hoped so too. My wits, I suppose, were sharpened by this hideous prospect, and I telephoned to the firm who had made the piano to send down three men and see if they concurred in the impossibility of getting the piano upstairs except via the doubtful window-ledge. In half an hour they had taken it up the staircase without touching the banisters or scratching the wall.
Magically, as by the waving of a wand, the constipation on the ground-floor was relieved; it was as if the Fairy Prince (in guise of three sainted piano-movers) had restored life to the house. The tables and chairs danced into their places; bookshelves became peopled with volumes; the china clattered nimbly into cupboards, and carpets unrolled themselves on the stairs. There was dawn on the wreck, and Kino and I set to work on the great scheme of black and white floor decoration which was destined to embellish in a manner unique and surprising the whole of the ground-floor.
Linoleum was the material of it, an apotheosis of linoleum. Round the walls of the passages, the hall, the front room, were to run borders of black and white, with panels in recesses, enclosing a chess-board of black and white squares. Roll after roll of linoleum arrived, and with gravers we cut them up, and tacked down the borders and the panels and the chess-board with that admirable and headless species of nail known as "little brads." The work was not noiseless like the building of the Temple of Solomon, but when it was done, my visitors were indeed Queens of Sheba, for no more spirit was left in them when on their blinded eyes there dawned the glories of the floors that were regular and clean as marble pavements, and kind to the tread. No professional hand was permitted to assist in these orgies of decoration; two inspired amateurs did it all, and one of them did about twenty times as much as the other. (The reader may form his own conclusion as to whether modesty or the low motive of seeking credit where the credit belongs to another prompts my reticence on this point.) Then there were wonderful things to be done with paint (and I really did a good deal of that); ugly tiles were made beautiful with shining black, that most decorative of all hues when properly used, and in one room the splendour given to a door and a chimneypiece put Pompeii in its proper place for ever. And all the time, as we worked, and put something of human personality into the house, the spirit of home was peeping in at windows shyly, tentatively, or hiding behind curtains, or going softly about the pleasant passages, till at last one evening, as we finished some arrangement of books in the front-room, I was conscious that it had come to stay. It did not any longer shrink from observation or withdraw itself when it thought I got a glimpse of it. It stood boldly out, smiling and well pleased, and next day, when I woke for a moment in the hour before dawn, with sparrow-twitters in the trees outside, it was in my room, and I turned over contentedly and went to sleep again. Was it that the disconsolate ghost in Oakley Street had come here, transferring itself from the empty shell? Had it followed, like a deserted cat, the familiar furniture, and the familiar denizens? Or had a new spirit of home been born? Certainly the conviction that the house had found itself, that it had settled down to an incarnate plane again was no drowsy fantasy of the night; for in the morning, when I went downstairs, the whole aspect of things had changed. I knew I was chez moi, instead of just carrying on existence in some borrowed lodging.
That morning an enormous letter, chiefly phonetic, arrived from Seraphina. It was difficult to read, because when Seraphina wished to erase a word, she had evidently smudged her finger over the wet ink, and written something on top of it. At first I felt as bewildered as King Belshazzar, when on the wall there grew the inconjecturable doom; but since I had no Daniel in fee, I managed, by dint of trying again and again, to make out the most of her message. She relapsed sometimes into the dialect of Alatri, but chiefly she stuck to the good old plan, recommended by Mr. Roosevelt, of putting down the letters like which the word, when spoken, would sound. But by dint of saying it aloud, I caught the gist of it all. No word had come from Alatri since Francis's return, and even as I read the glamour of that remote existence grew round me.
She had written before, she said, both to Signorino Francesco and to me, but she supposed that the letters had gone wrong, for they said the Government soaked off the stamps from the envelopes and sold them again. But that was all right; they wanted every penny they could get to spend against the devil-Austrians. Dio! What tremendous battles! How the gallant Italian boys were sweeping them out of the Trentino! And Goriza had fallen twenty times already. Surely it must have fallen by now. And there was the straight road to Trieste....