There are certain moments in one's life that are imperishably photographed on the mind, and will live there unblurred and unfaded till the end. I think the reason for this (when so much that seemed important at the time, constantly fades from one's memory) is that in some way, great or small, they mark the advent of a new perception, and this sense of enlightenment gives them their everlasting quality. They are thus more commonly associated with childish days, when discoveries are of more frequent occurrence than is the case in later years. Certainly now the smell of lilac is hugely significant to me because of that one moment when, at the exploring age of five, I was first consciously aware of it. It was time to go to bed, though the sunlight still lay level across the garden where we children played, and the nurse who had come to fetch us in, relented, and gave us five minutes' grace, the granting of which at that moment seemed to endow one with all that was really desirable in life. Simultaneously the evening breeze disentangled the web of fragrance from the lilac bush near which I stood, and cast it over me, so that, imperishable to this day, the scent of it is mixed up in my mind with a mood of ecstatic happiness. What went before that, what had been the history of the afternoon, or what was the history of the days that followed, has quite gone, but vignetted for ever for me is the smell of the lilac bush and the rapture of five minutes more play. The first conscious sight of the sea, lying grey and quiet beneath a low sky, is another such picture, and another such, I am sure, will be the sight of Francis's face as he stood there facing westwards, with the glow of molten clouds on it, and with the wind just stirring his hair, as he stood bare-headed, and spoke those last words. The memory of our walk that day may grow dim, much may get blurred and indistinct in my mind, but his face then, alight with joy, not solemn joy at all, but sheer human happiness, will live to me in the manner of the lilac-scent, and the first sight of the sea. It was new; never before had I seen so complete an exuberance, so unshadowed a bliss.
We returned to town next morning. Two days later he rejoined his regiment.
[DECEMBER, 1915]
Duty under a somewhat threadbare disguise of pleasure has the upper hand just now, in this energetic city, and we spend a large number of our afternoons each week seated in half-guinea and guinea stalls, and watch delightful entertainments at theatres or listen to concerts at private houses, got up for the benefit of some most deserving charity, and for the really opulent there are seats at three or five guineas. These entertainments are as delightful as they are long, and we have an opportunity two or three times a week of seeing the greater part of our prominent actors and actresses, and hearing the most accomplished singers and players on all or more than all of the musical instruments known to Nebuchadnezzar pour forth a practically endless stream of melody. Certainly it is a great pleasure to hear these delightful things, but, as I have said, it is really duty that prompts us to live for pleasure, for the pleasure, by incessant wear, is getting a little thin. We should not dream of spending so much on seats in theatres if we were not contributing to a cause. Often tea of the most elaborate and substantial style is thrown in, and thus our bodies as well as our minds are sumptuously catered for. Soon, I suppose, when we have once freed our minds from the nightmare of Zeppelins, we shall have these entertainments in the evening with dinner thrown in. The only little drawback connected with them is concerned with the matter of tickets. Naturally you do not want to go alone, and in consequence, when you are asked to take tickets you take two guinea ones if you are rich, and if not two half-guinea ones. There is no question of refusing. You have got to. But it is not so easy as you would imagine to get somebody to go with you to these perpetual feasts of histrionic and vocal talent, for everyone else has already taken two tickets, and is eagerly hunting for a companion at these entertainments on behalf of funds for Serbians, Russians, French, Italians, Red Cross, eggs for hospitals, smokes for sailors, soup kitchens, disabled horses, bandages, kit-bags, mine-sweepers, cough lozenges, for aeroplanists, woollen mufflers, and all the multifarious needs of those who are or have been taking a hand in the fight. Indeed, sometimes I think those entertainments are a little overdone, for a responsible admiral told me the other day that if any more woollen mufflers were sent to the fleet it would assuredly sink, which would be a very disastrous consequence of too ardent a spirit of charity. But till the fleet sinks under the woollies that are poured into it, and the kitchens are so flooded with soup as to be untenable, I suppose we shall continue to take two stalls and wildly hunt about for someone to occupy the second, between the hours of two and seven-thirty. But whether there is a theatrical entertainment or not on any particular day, it is sure to be a flag day. You need not buy two flags, though you have been obliged to take two stalls—until you have lost the first one. But it is as essential as breathing to buy one flag, if you propose to go out of doors at all, and on the whole it is wiser to buy your decoration from the first seller that you see. It is your ransom; the payment of this amiable blackmail ensures your unmolested passage through the streets. True, for a time, you can play a very pretty game which consists in crossing the street when you see a flag-seller imminent, and proceeding along the opposite pavement. Soon another flag-seller will be imminent there also, upon the approach of whom you cross back again to your original pavement. But sooner or later you are bound to be caught: a van or an omnibus obstructs the clear view of the other side of the street, and after being heavily splashed with mud from the roadway, you regain the pavement only to find there is another flag-seller who has been in ambush behind the 'bus that has splashed you. If you are urgently in need of exercise you can step back again before encountering the privateer, but you know that sooner or later you will have to buy a flag, and on the whole it is wiser to buy it at once, and take your exercise with an untroubled mind, and a small garish decoration in your buttonhole. The flag-sellers for the most part, are elegant young females, who appear to enjoy this unbridled licence to their pillaging propensities, and as long as they enjoy it, I suppose flag-days will go on. But it would be simpler and fairer to add a penny to the income-tax, and divide it in just proportions between these harpy charities. Or, if that is too involuntary a method of providing funds for admirable objects, I should suggest that every seller of flags, should, in return for the privilege of helping in such good causes, start her own collection-box with the donation of one sovereign from herself. Then the beleaguered foot-passenger would feel that he was giving to one who had the cause for which she worked really at heart.
Just as patriotism has become a feature in the streets, so the same motif has made its appearance in the realms of art, and at these entertainments of which I have spoken, there has sprung up a new form of dramatic and topical representation. Sometimes it takes the form of a skit, and the light side of committees is humorously put before us, but more often the author, with a deadlier and more serious aim, shows us in symbolical form the Sublimity of Patriotism. Somehow these elevating dramas make me blush. I am not ashamed of being patriotic, but I cannot bear to see patriotism set to slow music in front of the footlights, and in the presence of those blue-coated men with crutches or arms in slings. The general audience feel it too, and as the curtain goes up for the patriotic sketch, an uncomfortable fidgety silence invariably settles down on the house. The manner of the drama is usually somewhat in the following style:
Britannia, in scarlet with a gold crown, is seated in the centre of the stage, and on each side of her is a row of typical female figures, whom she addresses collectively as "Sisters" or "Children." In a few rhyming lines she gives vent to some noble sentiments about the war, and calls on each in turn to express her opinion. As these assembled females represent Faith, Hope, Belgium, Mother, Wife, Sweetheart, Serbia, Child, Justice, Mercy, Russia, Victory and Peace, a very pleasant variety of sentiments is expressed. Faith brandishes a sword with an ingenious arrangement by which electric lights spring out along the blade, and expresses complete confidence in the righteousness of the cause for which she unsheathed it. Hope looks forward to a bright dawn, and fixes her eyes dreamily on the Royal Box. Belgium, giving way to very proper emotion when she mentions Namur (rhyming to "poor"), sinks back on her chair, and Britannia, dismounting from her throne, lays a hand on her shoulder and kisses her hair. She then gives Belgium into the care of Faith, and dashing away a tear, resumes her throne, and asks Mother what she has to say. Mother and Wife then stand hand in hand and assure Britannia that they have sent their son and husband to the war because it was their duty to send him and his to go. Mother knows the righteousness of the cause. Faith crosses, presses the electric light, and with illuminated sword in hand, kisses Mother. Mother kisses Faith. Wife knows it too, and looks forward to the bright dawn of which Hope has spoken (Hope crosses and embraces Wife: momentary Tableau, accompanied on the orchestra by "Land of Hope and Glory." Britannia rises and bows to the audience).
When the applause has subsided, they resume, and Britannia calls on Sweetheart. Sweetheart trips out into the front of the stage, and goes through a little pantomime alone, but it is at once apparent that in her imagination there is a male figure there. There are little embracings: she promises the unseen figure not to cry any more, but to write to him (B.E.F.) every day.