Children of the Dawn : Old Tales of Greece

by E. F. Buckley

As the years flew by, he grew to be a man and a great sculptor, so that in the temples of the gods and the palaces of the rich his statues stood, and at the corners of the streets, a joy to rich and poor. The years, which had brought him to fame, had taken from him the white-haired old man, his master, and the mother who had helped to make him what he was; and now he lived alone in the great white house between the mountains and the sea. But he was happy, perfectly happy, working all day long at his images, and dreaming each night of fairer forms that he would some day work into stone and marble. His friends would come up from the town to look at his work, or to buy, and would say to him,

"Pygmalion, art thou not lonely here, all alone? Why dost thou not take thee a wife, and rear up children to be a comfort to thee in thine old age?"

And he would answer, "No, I am not lonely, for my art is to me both wife and children. I will never marry one of the daughters of men."

Whatever they said, they could not move him from his resolve. But what his friends could not do Aphrodite accomplished. When she saw there was one man among the Cyprians who had reached the prime of life without giving her a thought, or offering up one prayer before her shrine, she was angry, and determined that he should feel her power. So one night she sent into his mind the vision of a maiden, who in loveliness surpassed all other forms he had ever dreamed of, and she set his heart aflame, so that he thought he saw a living form before him. He started up in his bed and held out his arms towards her, but awoke with a start to find he was clasping the empty air. Then he knew it was only a vision he had seen; but it haunted him, and he tossed restlessly from side to side, unable to sleep. At last he could bear it no more; while the dawn was yet grey in the east he rose from his couch and went to his workroom. Gathering together his instruments and some clay, he set to work to model the figure of his dream. On and on he worked, scarce thinking of food or rest, and chose out a block of fair white marble, which day by day grew into shape beneath his fingers. In his hand there seemed a magic it had never had before, so that his chisel never failed nor slipped, till the marble stood transformed before him, shaped into the image of a perfect woman, the vision of his dream; and he loved her as other men love a woman in the flesh, with his whole heart and soul. But small joy did he have of his love, for though he had fashioned her with eyes that spoke to him of love and hands held out towards him, yet when he spoke to her she could give no answer, and when he clasped her in his arms her touch was the cold, hard touch of marble. Then he tried to put her away from his mind, and covered her over with a curtain; but when he was not looking at the marble figure, her image was still present before his mind, and he could not forget her. Day by day his love grew, till it became a burning fever in his heart. He grew thin and ill from want of food and rest, and could neither work by day nor sleep by night. His friends, when they came up to see him, marvelled at the change in him; and when they asked to see what new work he had done he would answer,

"My friends, I have no new work to show you. The cunning has departed from my hand. Never again shall I fashion the white marble into shapes of beauty."

They wondered what had come over him, for the image that had been his undoing he never showed them, nor let them know what was troubling his heart. But he made a niche for her in his chamber where the light fell upon her from the window, and at night when he could not sleep he would sit with his arms clasped about her ankles and his head resting on her feet. Her face would look down on him full of pity and love, pale and beautiful in the cold white light of the moon. When the day dawned and the cloudlets clustered red about the rising sun, the warm rays would fall upon her giving to her some hue of life, and Pygmalion's heart would beat high with the hope that a miracle had been wrought, and that his love at last had kindled a soul akin to his own in the marble statue before him. With a cry he would put his arms about her, but still she remained a cold, hard, unresponsive stone. So day by day and week by week he grew more wretched; for there is nought like a passionate love which is unreturned, and which never can be returned, to take out the life from a man.

At last Aphrodite had compassion on him, when she saw that he had suffered as much and more than most men at her hands, and that he no longer held her in disdain. One night Pygmalion, as usual, had been kneeling before the statue with his arm clasped about her feet, till, tired out with longing, he had fallen asleep. On the breath of the night wind Aphrodite came in, and she kissed the statue on the lips.

On the breath of the night wind Aphrodite came in, and she kissed the statue on the lips.

"Let love kindle life," she said. "Live, Galatea, thou milk-white maid, and bring joy to the heart of Pygmalion."