They say that Mr. Clemens's mother was not only remarkably winsome but remarkably intelligent. When the author was a youngster one of his relatives said of him: "He's a perfect little human kaleidoscope." "Yes," added another, "and he gets that from his mother." Samuel's mother could "write well," which was no small accomplishment in the south-west in the thirties.

When Samuel was about nine years old his father decided to move to Hannibal, in the same State. The prime cause of this immigration was the failure of the elder Clemens to make Salt River navigable; hence, as one writer has suggested, the probable origin of the old synonym for disaster, "gone up Salt River."

Young Clemens was sent to school in Hannibal. Some of his schoolmates are living in the old town to-day. He seems to have enjoyed the rule of two teachers, Miss Newcomb and Miss Lucy Davis. Physically, he was not a strong boy, but intellectually he seems always to have been more than a match for any boy of his age. He had two brothers, Orion, who was considerably older, and Henry, who was the youngest of them all. Samuel attended school until his father died in 1847. The death of the father, who had just been elected county judge, was a hard blow to the family. After the death of his father, the subject of our sketch went to work for the local newspaper as a carrier. Afterward he served as "devil" and type-setter, and then, having completed his apprenticeship and thinking to better himself elsewhere, he set off on foot for the East. Doing odd jobs at the case and the press, he finally reached Philadelphia. Thence he went to New York. But the East did not please him, and at seventeen he was back in Hannibal.

He was now on his uppers, as the phrase is, and, in addition to its adventurous side, the financial side of steamboat life on the Mississippi magnetized him. There, for instance, was the pilot, the guide of the great smoking craft, a man who knew everything thought worth knowing, a man looked up to by every merchant, every traveler and every desperado. Samuel determined to become a pilot, and the picturesque Capt. Horace E. Bixby took him under his wing. In his "Life on the Mississippi" Mark Twain describes with all his eloquence the interesting and exciting life of a pilot on the treacherous river. And was not the pilot's a great and attractive post for a young man? "If you will take," says Mark, "the longest street in New York, and travel up and down it, conning its features patiently until you know every house and window and door and lamp-post and big and little sign by heart, and know them so accurately that you can instantly name the one you are abreast of when you are set down at random in that street in the middle of an inky-black night, you will then have a tolerable notion of the amount and the exactness of a pilot's knowledge who carries the Mississippi River in his head. And then if you will go on until you know every street-crossing, the character, size and position of the crossing-stones, and the varying depth of mud in each of those numberless places, you will have some idea of what the pilot must know in order to keep a Mississippi steamer out of trouble. Next, if you will take half of the signs on that long street and change their places once a month, and still manage to know their new positions accurately on dark nights, and keep up with these repeated changes without making any mistakes, you will understand what is required of a pilot's peerless memory by the fickle Mississippi."

The life on the river, with its ever-changing dramatic and entertaining incidents, awoke the young man's sleeping imagination—gave him a strong desire to put to use the modest literary methods which he had acquired as an itinerant printer. Mr. Howells, too, it will be noticed, first had the passion for authorship aroused in him by the types and the presses.

The first sketches which Mr. Clemens sent to the local papers were signed "Iosh," a meaningless signature, which quickly made the young author desire something better. The improvement came to him when one day he heard a "big black negro" who was taking soundings call out "Mark twain!" which meant that there were two fathoms of water. The call struck the pilot's fancy, and he kept it in mind for future use.

Mr. Clemens served in the pilot-house—one of the best school-houses in the world, it may be said—until the war broke out. Then he ran blockades for a while, and for two weeks he carried a gun in the Confederate army, under General Harris. The two weeks' service cooled his ardor, and he went farther west with his brother Orion, who, as a sympathizer with the Union side, had received an appointment as Secretary of the Territory of Nevada. Samuel was to act as his brother's secretary, but as in this office he did nothing and earned nothing, he, after an attempt at prospecting, joined the staff of the Virginia City Enterprise. It was as the Enterprise's correspondent at the capital of the Territory, Carson City, that Mr. Clemens first used the striking pseudonym "Mark Twain." But he had no taste for routine work; or, rather, his manner of garnishing, often with his stinging satire, his routine work, did not suit the taste of the editor of the Enterprise, and at the end of six months Mark Twain stamped the dust of Nevada from his shoes and struck out for California, where he readily secured employment on the Union. In the spring of 1865 he took an interest with Bret Harte in a short-lived weekly called The Californian, and some of the humorous articles which he wrote for that publication were widely copied in the East. Later the Union sent him to the Hawaiian Islands to describe the sugar industry. His work as a correspondent was very successful, and so was the lecture tour which he made in California when he returned.

Major Pond, by the way, relates that Mark Twain committed his lecture to memory and was entirely confident of success; still, desiring to forestall even the possibility of failure, he arranged with some friend of his—Major Pond has forgotten her name—to sit in a box and start the applause if he should look in her direction and stroke his mustache. "Instead of failing, however," the Major reports, "the lecture started propitiously, and that caused Mark to forget his instructions to the lady. By and by, unconsciously, when the audience was filled to the neck with pleasure and sore with laughter, he unwittingly turned to the box where his friend sat and pulled his mustache. At the time he was saying nothing particularly good or funny, but the anxious lady took his action for the signal, and almost broke her fan on the edge of the box in a fury of applause." It took all the nerve which Mark had accumulated among the gamblers and crevasses of the Mississippi to pass through the embarrassment.

In 1867 Mr. Clemens published his first book, "The Jumping Frog of Calaveras County, and Other Sketches," of which about four thousand copies were sold. That same year he went to Europe with the excursionists aboard the Quaker City.

This excursion proved to be the turning point in his career. He had a commission to write sketches of the journey for the Alta Californian. The sketches were duly published, and were then collected and offered to a publisher for marketing in book form. The material did not appeal to the publisher; it was startlingly uncut and undried. But Mark was insistent, and by and by the book appeared under the title of "Innocents Abroad." That book established Mark Twain's reputation as a humorist. During the thirty-three years which have intervened between that day and the present, Mark Twain's reputation has been maintained at a matchless height. No one has been deemed worthy by the reading public—which, after all, is the Supreme Court in literary matters—to be called his rival. And since the publication of "Innocents Abroad" Mark Twain's career has been public property, with no signs, no fences, not even a dog therein to bark at night.