ROBERT NEILSON STEPHENS
As we write this sketch, we have in mind the familiar picture of Robert Louis Stevenson, stretched out on a couch in his Samoan home, ailing, working. There is a sad sweetness in the sharpened face, and in the eyes is a gleam of bravery or determination. The Scot whom the entire reading world still loves so dearly, and will continue to love, it seems, when the babes of to-day are trembling graybeards, knew the strenuous life much more intimately than most of its new advocates; but it was a part of his art, and the artist conceals his art. Stevenson's sentences glitter, for they are gems of literature; but the glitter was given them at the expense of sublime patience and infinite pains. Unconsciously he presented an example of heroism; consciously he showed the young writers of his day that anything approaching perfection must be the product of scrupulous industry. Like the diamond polisher, he was never satisfied with a merely smooth facet: the facet dazzled or he was not content.
We have Stevenson in mind at this time for many reasons. In the first place, the subject of this chapter, Robert Neilson Stephens, may know of the letter of congratulation which, when he was writing for the Philadelphia Press, some of the young men of that journal sent to the distinguished writer on the Pacific island; and possibly he may have seen the answer that Stevenson sent—an answer filled with modest thanks and sound advice and sincere good wishes. The letter ended with the remark that if the young Philadelphians labored skillfully and ambitiously they would surely make their mark. If Stevenson had lived he would have congratulated Robert Neilson Stephens four years ago.
You will notice that there is a certain similarity between the features of the author of "The Master of Ballantrae" and the author of "Philip Winwood"—the same delicacy, the same lurking kindness, the same suggestion of indomitable intellectuality. And the resemblance extends beyond the features, also. Stevenson, in his youth, suffered from poverty; so did Stephens. The Scotchman for a long time dipped his pen in water, making no impression, receiving no encouragement, entertaining no luck; so, also, did the American. It is a story almost as old as the world, a story illustrated occasionally in the skies. Astronomers tells us that light, fast as it travels, takes years upon years to come to us. Often it is the same with men of genius: they blaze long before our narrow vision gives any sign of recognition.
Someone, by the way, once sympathized with Stephens on his ill health. Yes, he was far from strong, he admitted; "but," he said, "they may say what they please—those who have never been poor—I would rather be ill and well-to-do, as I am, than poor and in good health, as I was for many years. I have had many sorrows, but hardly a sorrow that was not aggravated, if not caused, by poverty, or that very moderate wealth would not have ameliorated or prevented. The difference between pecuniary ease and poverty is oftentimes simply as the difference between heaven and hell."
We may not all agree with the sentiment suggested, that riches in most circumstances or under most conditions are preferable to poverty with good health, but no one can fail to discern in the sentiment the bitter memory of a man who has been acquainted with great distress. At any rate, his is a philosophy based on experience. To experience, also, we may ascribe Stephens's animadversion regarding friendship.
"When a man makes any kind of success, however small," he says, "he finds that his old friends resolve themselves into three classes. The first class turn sullen, and show their envy in many mean ways. The second class wax more friendly than ever, and come showering their attentions. The third class show a reasonable pleasure at your success, and remain just as they were before. God bless the last kind! God mend the second! and God pity the first!"
Before generalizing farther it might be better to reveal some of Stephens's career. Robert Neilson Stephens, a descendant of the Jacobite fugitive who was grandfather of Alexander H. Stephens, of Georgia, was born on July 22, 1867, in New Bloomfield, a little town in Central Pennsylvania. The house in which he was born lay a stone's throw from the academy founded by his grandfather and conducted by his father.