But the story is moving along a little too fast. It should be said that Mr. Harris was fortunate in his birthplace. Eatonton, the capital of Putnam County, was not a lively spot, in a mercantile sense, in the days before the war, but it could boast of an excellent school, Eatonton Academy.

Speaking of Eatonton, the Baltimore American, some thirteen or fourteen years ago, printed this strange biography of Mr. Harris under the title of "A Humorist's Sad Romance":

"Joel C. Harris, the famous humorist, of the Atlanta (Ga.) Constitution, has had a strangely romantic career. His father was a missionary, and it was at the small town of Boog-hia, on the southern coast of Africa, that Joel was born. He was educated by his father, and is a profound Sanscrit scholar, besides being thoroughly versed in Hebraic and Buddhist literature. Just before the Civil War he emigrated to America, and taught school in a village near Lake Teeteelootchkee, Fla. There he fell in love with Sallie O. Curtis, daughter of a wealthy planter, and soon was engaged by Colonel Curtis as a private tutor. The parents made no objection to their daughter's choice of a husband, but the war came on before the marriage could take place, and so Colonel Curtis and Mr. Harris went away to the war. The Colonel lost all his property during the strife, and at the battle of Columbia, S. C., a grape shot tore his leg into shreds. When the war closed Miss Sallie died of yellow fever, and Mr. Harris became the support and comfort of the maimed sire of his dead sweetheart. The two yet live together in a vine-covered cottage near Atlanta. Mr. Harris is hardly forty years of age, but his snow-white hair tells the sorrow of his life. He is noted for his generosity, his amiability and his tenderness."

The fact is that from the time of his birth until General Sherman swept toward the sea after burning Atlanta, Mr. Harris lived in Eatonton. When he was six years old he could read, and it is said that a stray copy of "The Vicar of Wakefield," met in his juvenile days, did much to develop his taste for good literature. Joel attended Eatonton Academy for a few terms, and at the age of twelve went to work for Colonel Turner, the publisher of a weekly called The Countryman.

It was the boy's own enterprise and ambition which brought this about. It was Joel himself who heard that Colonel Turner was in need of a boy with "willing hands" to learn the printer's trade, and who went unbidden and unendorsed to apply for a job. The publisher and the youngster took a liking to each other on sight, and young Harris was put to work forthwith.

Those were unquestionably among the happiest days of the humorist's life. This is not saying, of course, that his cup of happiness is not brimming over to-day; but those were days of new contentment. The young printer's work was not burdensome; but the happiest fact of all is that his employer, Colonel Turner, had a rich library, in which his youngest workman was free to browse in leisure moments. The acorn of taste for good books which the boy had cultivated at home here developed into an oak; and the soil in which the acorn took root was fertile, and there was ample room for the spread of every growing limb and bough.

At first the lad delved among the Elizabethans. Sir Thomas Browne, too, became one of his favorite authors—nowadays Mr. Harris leans toward Thackeray, Stevenson, Scott, Kipling and James Whitcomb Riley—a good catholic taste. Few boys ever enjoyed a more advantageous course of reading. Gradually the juvenile printer drifted from his books into writing, just as a student one day quits the gallery and starts to paint some work of his own. Colonel Turner responded to the ambition of his protégé most generously. He praised the little works judiciously, and before long young Harris was prompted to doff his anonymity and stand up to be judged by himself. Thereafter he became a regular contributor to The Countryman—which was truly rustic in scope as well as in title—and the name of Harris began to be spoken throughout Georgia.

This pleasant existence was interrupted by the war, which to the editor and his assistant was indeed the fulfilment of an ancient threat. When Sherman left Atlanta to march to the sea, he shaped his course through Eatonton, and before him fled the loyal Southerners. Among the last to leave the town was the proprietor of The Countryman. Young Harris remained behind to look after the property. Little damage was done in Eatonton, but the budding author, finding the state of affairs chaotic, started, when the war was over, to make his fortune elsewhere. He found employment on various newspapers, first in Macon, then in New Orleans, then in Forsyth, and then in Savannah. In Savannah he secured an editorial position on the Morning News, of which W. T. Thompson, the author of "Major Jones's Courtship," and other once popular humorous writings, was then the general manager. In Savannah, the vagrant Eatontonian married Miss La Rose, and there he lived, with ever-increasing success, until 1876, when yellow fever swept through the town. Then he moved to Atlanta and went to work for the Constitution. And here we shall take up the original thread of this article.

In 1880, four years after the beginning of Mr. Harris's connection with the Constitution, the Uncle Remus sketches, which meantime had won much praise throughout the country, were numerous enough to make a book of, and "Uncle Remus: His Songs and Sayings" was published by the Appletons. The book solidified the author's fame. It had the good fortune to be reprinted in England. Even then, more than twenty years ago, it was reasonable to say that Uncle Remus was one of the foremost characters in American fiction. In 1883, "Nights with Uncle Remus," was published; the following year "Mingo and Other Sketches in Black and White"; in 1887, "Free Joe and Other Georgian Sketches." Up to date, Harris's books number at least sixteen.