His father died in 1857, and then Marion was taken back to Italy, where he spent his early days.
"Most of my boyhood," he said, to an interviewer, when he was in this country on his first lecture tour, "was spent under the direction of a French governess. Not only did I learn her language from her, but all of my studies, geography, arithmetic, and so forth, were taught me in French, and I learned to write it with great readiness, as a mere boy, because it was the language of my daily tasks. The consequence is that to this day I write French with the ease of English. There have been times when I know that I have lost some of my facility in speaking French through long absence from the country, but the acquirement of writing is always with me, which shows the value of early impressions in that direction."
When twelve years old Marion was sent to St. Paul's School, Concord, N. H., where he remained for two years. Readers familiar with his portraits will remember that in most of them he is represented as smoking. This inveterate habit he acquired during his first year's residence at St. Paul's.
The age of fifteen found the migrant youth back in Rome again, where he took up the study of Greek and mathematics. Later he studied with a private tutor at Hatfield Broadoak, in Essex, England, and from this school he went to Trinity College, Cambridge, where he passed four terms. There he perfected himself in German, Swedish and Spanish. He found German of good use when, later, he studied at Karlsruhe and at Heidelberg. At the age of twenty-two he returned to Rome to study at the University of Rome. There one of the professors interested him in Buddhism and the other Oriental mysteries. This professor, who recognized the young pupil's aptitude in languages, advised him to go to India and study Sanscrit, and then returning, he could readily obtain a professorship. The advice appealed to young Crawford, and he borrowed a hundred pounds and sailed for Bombay. There he occasionally wrote articles for one of the newspapers, but his employment was uncertain, and two pounds represented all his worldly possessions when the editor of the Bombay Gazette informed him that the editor of the Allahabad Indian Herald was in need of a "good man." Would he take the position? "Would a duck swim?" said Mr. Crawford; and off he went to Allahabad, a thousand miles away. There he learned that the "good man" was supposed to fill the posts of reporter, managing editor and editorial writer, with now and then a turn at type-setting. Thus none of the sixteen hours of the working day would be wasted. But Mr. Crawford couldn't afford to grumble. Instead he buckled down to what he describes as the hardest eighteen months' work of his life.
In 1880, at the age of twenty-six, with no valuable possessions except his experience, he returned to Rome, and thence, early in 1881, he set out for America. The old steamship in which he took passage broke down in mid-ocean, and Mr. Crawford's great physical strength and nervous energy were in constant demand. As the only cabin passenger on board, he had the honor of alternating on deck with the captain and the mates. At Bermuda, where the ship put in for repairs, he narrowly escaped drowning. Finally, at the end of two months, the ship reached New York. In this country he made his home at times with his uncle, Samuel Ward, the Horace of "Dr. Claudius," and at times with his aunt, Mrs. Julia Ward Howe. He had not been long in the country before he entered Harvard College, where he took a special course in Sanscrit under Prof. Charles Lanman.
He left Harvard in a state of uncertainty. He was ready to do anything to earn a living. He tried unsuccessfully to place some articles on philology. He reviewed books, principally for the New York Times. He lectured on "The Origin of Sacrifice." He won a small sum of money with an article on the silver question. One day early in May, 1882, his kind uncle, Samuel Ward, asked him to dinner at the New York Club, which was then situated in Madison Square. But here is where Mr. Crawford should come in to tell his own interesting story:
"As was perfectly natural, we began to exchange stories while smoking, and I told him (Mr. Ward), with a great deal of detail, my recollections of an interesting man whom I met in Simla. When I had finished, he said to me: 'That is a good two-part magazine story, and you must write it out immediately.' He took me around to his apartments, and that night I began to write the story of 'Mr. Isaacs.' Part of the first chapter was written afterward, but the rest of that chapter and several succeeding chapters are the story I told to Uncle Sam. I kept at it from day to day, getting more interested in the work as I proceeded, and from time to time I would read a chapter to Uncle Sam. When I got through the original story I was so amused with the writing of it that it occurred to me that I might as well make Mr. Isaacs fall in love with an English girl, and then I kept on writing to see what would happen. By and by I remembered a mysterious Buddhist whom I had met once in India, and so I introduced him, still further to complicate matters. I went to Newport to visit my aunt, Mrs. Julia Ward Howe, while I was in the midst of the story, and continued it there. It was on June 13, 1882, while in her home, that I finished the last chapter of 'Mr. Isaacs,' and, Uncle Sam appearing in Newport at that time, I read him the part of the story which he had not heard. 'You will give it to me,' he said, 'and I shall try to find a publisher.' He had for many years frequented the bookstore of Macmillan, and was well acquainted with the elder George Brett. He took the manuscript to Mr. Brett, who forwarded it to the English house, and in a short time it was accepted.
"Having tasted blood, I began, very soon after finishing 'Mr. Isaacs,' to write another story for my own amusement, 'Dr. Claudius.' Late in November I was advised by the Messrs. Macmillan that in order to secure an English copyright, as well as an American copyright, I must be on English soil on the day of publication. So I went to St. John, New Brunswick, where I had a very pleasant time, and continued to write the story of 'Dr. Claudius,' which I finished in December. 'Mr. Isaacs' was published on December 6, and I, of course, knew nothing about its reception. However, toward the end of the month I started on my return journey to the United States, and when I arrived in Boston on the day before Christmas, and stepped out of the train, I was surprised beyond measure to find the railway news stand almost covered with great posters announcing 'Mr. Isaacs.' The next morning, at my hotel, I found a note awaiting me from Thomas Bailey Aldrich, then editor of The Atlantic Monthly, asking me for an interview, at which he proposed that I write a serial for his magazine. I felt confident then, and do now, that 'Dr. Claudius' would not be a good serial story. However, I promised that Mr. Aldrich should have a serial, and began soon after to write 'A Roman Singer,' which was completed in February, 1883."
That is Mr. Crawford's own story of his start as a novelist, told to us nine years ago in a Boston hotel. The original of Mr. Isaacs was a diamond dealer in Simla named Jacobs. We have heard it related that the chief figure in "A Roman Singer" was partly sketched from a musician now resident in Boston, whom the novelist had known intimately in Rome. The American scenery of "Dr. Claudius" was, of course, fresh in the author's mind.