He once described his manner of working to Mr. Walter Blackburn Harte, another radical, but not so fortunate, thinker. He said that he never writes under pressure. "I work precisely as some painters do. I have unfinished pictures lying around my workshop. After breakfast each morning I go into my writing-room, and whichever picture chimes in with my mood, after a glance around, claims me for that morning. I work on it as long as I find great pleasure in it, and I stop the moment I am conscious of it becoming a grind. If I have any power left, I turn to something else; if not, I quit and turn to recreation—reading, study; or I go out for a walk. I do all my writing on blocks of manuscript paper, and I have stacks of these lying around, as many as forty or fifty in various stages of completion. I never write on any one thing day after day just with the purpose of getting it done. I believe thoroughly in moods, although I do not wait for any particular mood, for I am in the mood every morning for something. All my work interests me supremely, or I should not do it."
Mr. Garland was married a few years ago to Miss Zuleme Taft, of Chicago, who has achieved some fame as a sculptor.
Photo by Hollinger, N. Y.
PAUL LEICESTER FORD.
PAUL LEICESTER FORD
In 1876, when Paul Leicester Ford was eleven years old, he published "The Webster Genealogy," a genealogy of Noah Webster, with notes and corrections of his own. When he was seventeen he published "Websteriana, a catalogue of books by Noah Webster, collated from the library of Gordon L. Ford." At nineteen he also became the author of "Bibliotheca Chaunciana: a list of the writings of Charles Chauncy," the second president of Harvard College.