"'This is not merely the case of the State versus James Coldman. It is the case of the tenement-house children against the inhumanity of man's greed.'"
A vivid picture sketched crudely, judged from the artistic view-point; but a picture to touch the heart of the people. This human element in the story, together with the popular idea that the hero was the distinguished statesman now resident in Princeton, made "The Honorable Peter Stirling" one of the most successful books of its day.
In a greater or less degree these merits and defects are reflected in "The Story of an Untold Love" and in "The Great K. & A. Train Robbery," but "Janice Meredith" reveals marked literary improvement. Janice is unquestionably the least artificial of all his female characters. In "Janice Meredith," too, the author is on familiar ground. One has only to compare his Washington with the Washington whom Thackeray pictured in "The Virginians" to realize fully that while the English novelist was the abler writer the American is the closer student.
It would be absurd for even the author's warmest admirer to set up the claim that "Janice Meredith" is the great American historical novel; and although some of the friendly critics have vaguely hinted as much, no one, we believe, has boldly gone to the extremity of a proclamation. But it must in all justice be said that the book contains some of the elements which one day will entitle a story to that phenomenal distinction. Notable among these elements are a glowing imaginativeness and a rare faithfulness of historical portraiture.
Mr. Swift has fortunately given us a description of the author with his pen in hand. "A spirit of restlessness takes hold upon Mr. Ford when he is hardest at work," he says, "and he shifts at pleasure from one to another of his several desks or tables. I should imagine that the curiosity hunter of the future who might wish to possess the desk at which or the chair on which the author of 'Peter Stirling' sat when he penned that book, might comfortably fill a storage-warehouse van with new-found joys. Like most good fellows who write, Mr. Ford knows the value of the night and often works to best advantage when honest folk have been long abed." Again, Ford is described as being alive to every issue of the day and of the hour. He is brilliant at conversation, and perhaps more brilliant at controversy, "for," says Mr. Swift, "I can imagine no opposing argument so bristling with facts as to prevent his making a cavalry charge on a whole table of unsympathetic listeners. Life is at its keenest pitch when one is privileged to hear his urgent voice, with no little command withal in its notes, and to see the invincible clearness and dominance in his black-brown eyes."
We can conclude with no happier remark than that, so far as fiction is concerned, at least, Mr. Ford seems destined to win still greater honors than those already in his possession.
ROBERT NEILSON STEPHENS.