Such is the general form of these implements. The largest proportion of those which have been found in the mounds, however, are of much more elaborate workmanship. Their character has been briefly noticed on a previous page. (See page [152].) They are sculptured into singular devices—figures of the human head, and of various beasts, birds, and reptiles. These figures are all executed in miniature, but with a strict fidelity to nature. The attitudes of the animals are characteristic; their very habits, in some cases, are indicated. Most are worked in porphyry; and all display a truthfulness, delicacy, and finish, which we are unprepared to look for, except among the remains of a people considerably advanced in the arts. Some of them represent animals peculiar to the lower latitudes. Indeed, so remarkable in many respects are they regarded, in their bearing upon some of the more important questions connected with American archæology, particularly the migrations of the race of the mounds, that their full consideration is reserved for another place. They will be noticed at length, in connection with similar remains, under the more appropriate head of “Sculptures.”

Besides these varieties of pipes, numerous others are found, most of which are probably referable to a comparatively recent era. They differ in style from those found in the mounds, and are for the greater part composed of steatites and other soft and easily worked varieties of stone. Some are of large size, and are boldly p229 though not in general elegantly sculptured. They will also be noticed under the same head with those last mentioned.

From the appearance of these relics it is fairly inferable that, among the mound-builders as among the tribes of North American Indians, the practice of smoking was very general if not universal. The conjecture that it was also more or less interwoven with their civil and religious observances, is not without its support. The use of tobacco was known to nearly all the American nations, and the pipe was their grand diplomatist. In making war and in concluding peace it performed an important part. Their deliberations, domestic as well as public, were conducted under its influences; and no treaty was ever made unsignalized by the passage of the calumet. The transfer of the pipe from the lips of one individual to those of another was the token of amity and friendship, a gage of honor with the chivalry of the forest which was seldom violated. In their religious ceremonies it was also introduced, with various degrees of solemnity. A substitute for tobacco was sometimes furnished in the tender bark of the young willow; other substitutes were found among the Northern tribes in the leaves and roots of various pungent herbs. The custom extended to Mexico, where however it does not seem to have been invested with any of those singular conventionalities observed in the higher latitudes. It prevailed in South America and in the Caribbean islands. The form of the Indian pipe of North America is extremely variable, and very much the subject of individual taste. Some are excessively rude, but most are formed with great labor from the finest materials within reach. Along the Mississippi and among the tribes to the westward of that river, the material most valued for the purpose was, and still is, the red pipe-stone of the Coteau des Prairies, a beautiful mineral resembling steatite, easily worked and capable of a high finish. The spot whence it is obtained, and which is certainly one of the most interesting mineral localities of the whole country, is regarded with superstitious veneration by the Indians. It is esteemed to be under the special protection of the Great Spirit, and is connected with many of their most singular traditions. Until very recently it was the common resort of the tribes, where animosities and rivalries were forgotten, and where the most embittered foes met each other on terms of amity. In carving pipes from this material they expended their utmost skill, and we may regard them as the chef d’œuvres of modern Indian art. The following engraving, Fig. 128, from originals, will exhibit their predominant form, which it will be observed is radically different from that of the mound pipes. The larger of the two was once the favorite pipe of the eloquent KEOKUK, chief of the Sacs and Foxes, whose name occupies a conspicuous place in the Indian history of the North-west. These pipes were smoked with long tubes of wood, from twenty inches to three feet in length, fantastically ornamented with feathers and beads. p230

Fig. 128.

The sculpture of these articles, which is sometimes attempted in imitation of the human figure and of various animals, is often tasteful. But they never display the nice observation, and true, artistic appreciation and skill exhibited by those of the mounds, notwithstanding their makers have all the advantages resulting from steel implements for carving, and from the suggestions afforded by European art. The only fair test of the relative degrees of skill possessed by the two races would be in a comparison of the remains of the mounds with the productions of the Indians before the commencement of European intercourse. A comparison with the works of the latter however, at any period, would not fail to exhibit in a striking light the greatly superior skill of the ancient people.

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CHAPTER XIV. ORNAMENTS OF STONE, BONE, ETC.