He found only one such entry, but that one was enough. There was a note dated All Hallows, 1702, to this effect:
“This day did a vagrant from Elmham beat cruelly to death two poor men who had refused him alms, and upon a hue and cry being raised, took his own life. He was buried in one Parson’s Close with a stake through his body and his arms confined in chains, and stoutly covered in.”
No further news came from Elmham. Either the effort had been exhausted, or its purpose achieved. But what could have led the young lady, a stranger to Mr. Batchel and to his garden, to hit upon so appropriate a topic? Mr. Batchel could not answer the question as he put it to himself again and again during the day. He only knew that she had given him a warning, by which, to his shame and regret, he had been too obtuse to profit.
VII.
THE INDIAN LAMP-SHADE.
What has been already said of Mr. Batchel will have sufficed to inform the reader that he is a man of very settled habits. The conveniences of life, which have multiplied so fast of late, have never attracted him, even when he has heard of them. Inconveniences to which he is accustomed have always seemed to him preferable to conveniences with which he is unfamiliar. To this day, therefore, he writes with a quill, winds up his watch with a key, and will drink no soda-water but from a tumbling bottle with the cork wired to its neck.
The reader accordingly will learn without surprise that Mr. Batchel continues to use the reading-lamp he acquired 30 years ago as a Freshman in College. He still carries it from room to room as occasion requires, and ignores all other means of illumination. It is an inexpensive lamp of very poor appearance, and dates from a time when labour-saving was not yet a fine art. It cannot be lighted without the removal of several of its parts, and it is extinguished by the primitive device of blowing down the chimney. What has always shocked the womenfolk of the Batchel family, however, is the lamp’s unworthiness of its surroundings. Mr. Batchel’s house is furnished in dignified and comfortable style, but the handsome lamp, surmounting a fluted brazen column, which his relatives bestowed upon him at his institution, is still unpacked.
One of his younger and subtler relatives succeeded in damaging the old lamp, as she thought, irretrievably, by a well-planned accident, but found it still in use a year later, most atrociously repaired. The whole family, and some outsiders, had conspired to attack the offending lamp, and it had withstood them all.
The single victory achieved over Mr. Batchel in this matter is quite recent, and was generally unexpected. A cousin who had gone out to India as a bride, and that of Mr. Batchel’s making, had sent him an Indian lamp-shade. The association was pleasing. The shade was decorated with Buddhist figures which excited Mr. Batchel’s curiosity, and to the surprise of all his friends he set it on the lamp and there allowed it to remain. It was not, however, the figures which had reconciled him to this novel and somewhat incongruous addition to the old lamp. The singular colour of the material had really attracted him. It was a bright orange-red, like no colour he had ever seen, and the remarks of visitors whose experience of such things was greater than his own soon justified him in regarding it as unique. No one had seen the colour elsewhere; and of all the tints which have acquired distinctive names, none of the names could be applied without some further qualification. Mr. Batchel himself did not trouble about a name, but was quite certain that it was a colour that he liked; and more than that, a colour which had about it some indescribable fascination. When the lamp had been brought in, and the curtains drawn, he used to regard with singular pleasure the interiors of rooms with whose appearance he was unaccustomed to concern himself. The books in his study, and the old-fashioned solid furniture of his dining room, as reflected in the new light, seemed to assume a more friendly aspect, as if they had previously been rigidly frozen, and had now thawed into life. The lamp-shade seemed to bestow upon the light some active property, and gave to the rooms, as Mr. Batchel said, the appearance of being wide-awake.
These optical effects, as he called them, were especially noticeable in the dining room, where the convenience of a large table often induced him to spend the evening. Standing in a favourite attitude, with his elbow on the chimney-piece, Mr. Batchel found increasing pleasure in contemplating the interior of the room as he saw it reflected in a large old mirror above the fireplace. The great mahogany sideboard across the room, seemed, as he gazed upon it, to be penetrated by the light, and to acquire a softness of outline, and a sort of vivacity, which operated pleasantly upon its owner’s imagination. He found himself playfully regretting, for example, that the mirror had no power of recording and reproducing the scenes enacted before it since the close of the 18th century, when it had become one of the fixtures of the house. The ruddy light of the lamp-shade had always a stimulating effect upon his fancy, and some of the verses which describe his visions before the mirror would delight the reader, but that the author’s modesty forbids their reproduction. Had he been less firm in this matter we should have inserted here a poem in which Mr. Batchel audaciously ventured into the domain of Physics. He endowed his mirror with the power of retaining indefinitely the light which fell upon it, and of reflecting it only when excited by the appropriate stimulus. The passage beginning