Among the various omens of approaching death are the groundless barking of a dog, the shriek of an owl, the falling down of a picture from the wall, and the crowing of a black hen. The influence of this latter may, however, be annulled, and the catastrophe averted, if the bird be put in a sack and carried sunwise thrice round the dwelling-house.
It is likewise prognostic of death to break off the smaller portion of a fowl’s merry-thought, to dream of troubled water or of teeth falling out,[32] or to be merry without apparent reason.
A falling star always denotes that a soul is leaving the earth—for, according to Lithuanian mythology, to each star is attached the thread of some man’s life, which, breaking at his death, causes the star to fall. In some places it is considered unsafe to point at a falling star.
A dying man may be restored to life if he be laid on Holy Saturday outside the church-door, where the priest passing with the procession may step over him; or else let him eat of a root which has been dug up from the church-yard on Good Friday; but if these and other remedies prove inefficient, then must the doomed man be given a burning candle into his hand, for it is considered to be the greatest of all misfortunes if a man die without a light—a favor the Roumanian durst not refuse to his deadliest enemy.
The corpse must be washed immediately after death, and the dirt, if necessary, scraped off with knives, because the dead man will be more likely to find favor above if he appear in a clean state before the Creator. Then he is attired in his best clothes, in doing which great care must be taken not to tie anything in a knot, for that would disturb his rest by keeping him bound down to the earth. Nor must he be suffered to carry away any particle of iron about his person, such as buttons, boot-nails, etc., for that would assuredly prevent him from reaching Paradise, the road to which is long, and, moreover, divided off by several tolls or ferries. To enable the soul to pass through these a piece of money must be laid in the hand, under the pillow, or beneath the tongue of the corpse. In the neighborhood of Forgaras, where the ferries or toll-bars are supposed to amount to twenty-five, the hair of the defunct is divided into as many plaits, and a piece of money secured in each. Likewise a small provision of needles, thread, pins, etc., is put into the coffin, to enable the pilgrim to repair any damages his clothes may receive on the way.
The family must also be careful not to leave a knife lying with the sharpened edge uppermost as long as the corpse remains in the house, or else the soul will be forced to ride on the blade.
The mourning songs, called Bocete, usually performed by paid mourners, are directly addressed to the corpse, and sung into his ear on either side. This is the last attempt made by the survivors to wake the dead man to life by reminding him of all he is leaving, and urging him to make a final effort to arouse his dormant faculties—the thought which underlies these proceedings being that the dead man hears and sees all that goes on around him, and that it only requires the determined effort of a strong will in order to restore elasticity to the stiffened limbs, and cause the torpid blood to flow anew in the veins.
Here is a fragment of one of these mourning songs, which are often very pathetic and fanciful:
“Mother dear, arise, arise,
Dry the tearful household’s eyes!