[Footnote 4: Carlyle, Sartor Resartus.]

To understand the many and bewildering changes which followed one another in rapid succession during the early years of Victoria's reign it is necessary to read the literature, more especially the works of those writers who took a deep and lasting interest in the lives and work of the people.

Democracy, the people, or the toiling class, was engaged in a fierce battle with those forces which it held to be its natural enemies. It was a battle of the Rich against the Poor, of the masters against the men, of Right against Might. England was a sick nation, at war with itself, and Chartism and the Chartists were some of the signs of the disease. The early Victorian age is the age of Thomas Carlyle, the stern, grim prophet, who, undaunted by poverty and ill-health, painted England in dark colours as a country hastening to its ruin.

His message was old and yet new—for men had forgotten it, as they always have from age to age. This was an age of competition, of 'supply and demand'; brotherly love had been forgotten and 'cash payment' had taken its place. Carlyle denounced this system as "the shabbiest gospel that had been taught among men." He urged upon Government the fact that it was their duty to educate and to uplift the masses, and upon the masters that they should look upon their workers as something more than money-making machines. The old system of Guilds, in which the apprentice was under the master's direct care, had gone and nothing had been put in its place.

The value of Carlyle's teaching lies in the fact that he insisted upon the sanctity of work. "All true work is religion," he said, and the essence of every true religion is to be found in the words, "Know thy work and do it."

The best test of the worth of every nation is to be found in their standard of life and work and their rejection of a life of idleness. "To make some nook of God's Creation a little fruitfuller, better, more worthy of God; to make some human hearts, a little wiser, manfuler, happier—more blessed, less accursed! It is work for a God. . . . Unstained by wasteful deformities, by wasted tears or heart's-blood of men, or any defacement of the Pit, noble, fruitful Labour, growing ever nobler, will come forth—the grand sole Miracle of Man, whereby Man has risen from the low places of this Earth, very literally, into divine Heavens. Ploughers, Spinners, Builders, Prophets, Poets, Kings: . . . all martyrs, and noble men, and gods are of one grand Host; immeasurable; marching ever forward since the beginnings of the World."[5]

[Footnote 5: Carlyle, Past and Present.]

Carlyle was, above all things, sincere; he looked into the heart of things, and hated half-beliefs. Men, he said, were accustoming themselves to say what they did not believe in their heart of hearts. The standard of English work had become lower; it was 'cheap and nasty,' and this in itself was a moral evil. Good must in time prevail over Evil; the Christian religion was the strongest thing in the world, and for this reason had conquered. He believed in wise compassion—that is to say, he kept his sympathy for those who truly deserved it, for the mass of struggling workers with few or none to voice their bitter wrongs.

His teachings are a moral tonic for the age, and though for a long time they were unpopular and distasteful to the majority, yet he lived to see much accomplished for which he had so earnestly striven.

Literature was beginning to take a new form. The novel of 'polite' society was giving place to the novel which pictured life in cruder and harsher colours. The life of the toiling North, of the cotton spinners and weavers was as yet unknown to most people.