The English provincial printers, stationers and bookbinders to 1557

by E. Gordon Duff

In 1480 the printer issued his first dated book, the Rhetorica Nova of Laurentius de Saona, and in this the influence of another press can be clearly traced. The printer had discarded his first fount and obtained a new one with a strong superficial resemblance to Caxton’s Type No. 2*, the very type which Caxton had used to print his edition of the same book. There is one curious point about this book which is rarely met with, it is partly a quarto and partly an octavo; that is, it is partly made up from large sheets of paper folded three times, and partly from small sheets folded twice. A somewhat similar example may be found in the Chronicles printed by Machlinia, which is a folio, with a few pages quarto. This is the most common of the Latin books issued by the St Alban’s printer, for at least five copies are known, one of which is in the University Library.

The other book which the printer issued in 1480 is printed in another new type, quite the ugliest and most confusing of English fifteenth-century types, and full of bewildering contractions. It is an edition of the Liber modorum significandi of Albertus, and the only known copy, which had belonged to Tutet and Wodhull, is now in the Bibliothèque Nationale. Three more books were printed in this type, Joannes Canonicus on the Physica of Aristotle, Antonius Andreæ on the Logica, and the Exempla Sacræ Scripturæ. The first of these is a folio printed in double columns, and two copies are known, one in the Bodleian, and the other in the library of York Minster, while a number of odd leaves are in the library of Clare College, and a few at Peterhouse.

Of the Antonius Andreæ three copies are known, one in Norwich Cathedral, another wanting two leaves in Jesus College, Cambridge, and the last wanting eight leaves in Wadham College, Oxford. The Cambridge and Norwich copies are both in their original bindings. The signatures in this book are curious, for the printer, having come to the end of his first alphabet, continued with contractions and then signed two more sheets one “est” and the other “amen.” Bradshaw, comparing the Cambridge and Norwich volumes side by side, found some variations pointing to the reprinting of certain sheets. The Exempla Sacræ Scripturæ is known from two copies, one in the British Museum, and one said to be in the Inner Temple Library, though its existence is doubtful. For a long time the Museum copy was lost sight of. When Blades began to work on the St Alban’s printer with a view to writing a preface to the facsimile of the Book of St Alban’s, he was anxious to see a copy of this book. Herbert had quoted copies as in His Majesty’s library and the Inner Temple, but neither were forthcoming. The authorities in London thought it probable that the book was in the Bibliothèque Nationale. In those days there were no special catalogues of the British Museum Incunabula, or Early English Books, though as a matter of fact this book has not been included in the latter, and his researches were at a standstill. Finally, quite by accident, Bradshaw found it in the general catalogue, under the heading, “Bible, Latin, Parts of, Incipiunt.”

The book is a quarto of eighty-eight leaves, the Museum copy wanting five. It has a plain colophon stating that it was printed in the town of St Alban’s in 1481.

After the issue of these six books within a period of about two years, the printer seems to have ceased work for a time. When he recommenced in about three years, both the character of his work and of the books he issued had changed. He gave up the printing of Latin and discarded the very confused type he had been using previously.

The Chronicles of England, one of the two English books issued by the St Alban’s printer, is undated, but is ascribed to the year 1485. It agrees generally with the Chronicles printed by Caxton, but has histories of popes and ecclesiastical matters interpolated. The prologue states that it was compiled at St Alban’s in 1483, and W. de Worde tells us that it was compiled and printed by the schoolmaster.

The book is a folio of 290 leaves, and, though at least twelve copies are known, only one, that in the library of the Marquis of Bath at Longleat, is perfect. One copy is known printed upon vellum. It belonged at an early date to the old family library of the Richardsons of Brierly Hall in Yorkshire, and passed by inheritance to Miss Currer of Eshton Hall in the same county, herself a collector of some note in the early part of the nineteenth century. It wanted a leaf and a half, and four leaves, though original, were printed on paper. On the advice, I believe, of Dibdin, these four genuine leaves were replaced by facsimiles on vellum, and the two missing leaves also similarly supplied. At the Currer sale in 1862 the volume was sold for £365, and passed later into a private collection.

For the first time at this press we find red printing used for the initials and paragraph marks; there are also a few diagrams and one small rough woodcut depicting a jumble of towers, spires, and turrets, and equally suitable for the two cities which it professes to represent, London and Rome. At the end is the printer’s device, Italian in style, a double cross rising from a circle. In the circle is a shield bearing a saltire cross, the arms alike of the town and abbey of St Alban’s.

The last book from this press was the famous Book of St Alban’s, “the book of hawking and hunting and also of coat armours.” It is a small folio of ninety leaves. As might be supposed from its popular nature copies are now excessively scarce, and out of some dozen which are known, not one is absolutely perfect. This book marks another advance in printing, for it contains the earliest known examples of colour printing in England, the shields of arms being printed in red, blue, and yellow inks. About the authorship of this book there has been much controversy. The middle portion, on hunting, which is in verse, ends with the words, “Explicit Dam Julyans Barnes in her book of hunting.” The authoress has been variously identified with ladies of very varying degrees, from the high born if somewhat mythical Juliana Berners, prioress of the nunnery of Sopwell, down to the lowly dame who wrote it to instruct the infants who attended St Julian’s school at St Alban’s, that is St Julian’s bairns!

Of the book of blasyng of arms it is distinctly stated that it was translated and compiled at St Alban’s, and it seems to have been derived to a great extent from a treatise on the subject written by Nicholas Upton in 1441, and dedicated to Humphrey, Duke of Gloucester. Whatever may have been the share taken by Juliana Berners in the two books of hawking and hunting they were certainly not original work, but appear to have been derived in great part from a fourteenth-century treatise, the Venerie de Twety. Hawking, hunting, and a knowledge of heraldry were considered necessary accomplishments, so that the three treatises were collected and published in one volume for the education of “gentlemen and honest persons.” Two types are used in these English books, the text type, first used in the Laurentius de Saona of 1480 and then superseded, which is a fairly close imitation of Caxton’s type 2*, and a larger church type for headings, used only in the Book of St Alban’s. This last is identical with Caxton’s type 3, and it is clear that the printer had obtained from Caxton the small amount necessary for its occasional use. Far too much importance has been attached to this appearance of Caxton’s type at St Alban’s, and a good deal of nonsense written about the transference of type to St Alban’s in 1486 and its recurrence in London at a later date. As Caxton possessed the punches and matrices and type-moulds, there was nothing simpler than for him to supply sufficient type to his fellow-worker at St Alban’s to enable him to vary his page by setting up his chapter headings in a larger type contrasting with the text.