“You’re a silly old woman,” Caroline retorted.

“But you’ll promise not to sit in a draught; Henrietta, see that your Aunt Caroline doesn’t sit in a draught.” But Henrietta was letting down the window, for the cab had drawn up before the portals of the Assembly Rooms.

In the cloak-room, Rose and Henrietta slipped off their wraps, glanced in the mirror, and were ready, but there were anxious little whisperings and consultations on the part of the elder ladies and Henrietta cast a despairing glance at Rose. Would they never be ready? But at last Caroline uttered a majestic “Now” and led the way like a plump duck swimming across a pond with a fleet of smaller ducks behind her.

No expense and no trouble had been spared to justify the expectations of Radstowe. The antechamber was luxuriously carpeted, arm-chaired, cushioned, palmed and screened, and the hired flunkey at the ballroom door had a presence and a voice fitted for the occasion.

“Miss Mallett!” he bawled. “Miss Sophia Mallett! Miss Rose Mallett! Miss Henrietta Mallett!”

The moment had come. Henrietta lifted her head, settled her shoulders and prepared to meet the eyes of Francis Sales. The Malletts had arrived between the first and second dances and the guests sitting round the walls had an uninterrupted view of the stately entrance. Mrs. Batty, in diamonds and purple satin, greeted the late-comers with enthusiasm and James Batty escorted Caroline and Sophia to arm-chairs that had all the appearance of thrones. Mrs. Batty patted Henrietta on the shoulder.

“Pretty dear,” she said. “Here you are at last. There are a lot of boys with their programmes half empty till you come, and my Charles, too. Not that he’s much for dancing. I’ve told him he must look after the ugly ones. We’re going to have a quadrille for your aunts’ sake!” And then, whispering, she asked, “What do you think of it? I said if we had it at all, we’d have it good.”

“It’s gorgeous!” Henrietta said, and off the stage she had never seen a grander spectacle. The platform at the end of the room was banked with flowers and behind them uniformed and much-moustached musicians played with ardour, with rapture, their eyes closing sentimentally in the choicest passages. Baskets of flowers hung from the chandeliers, the floor was polished to the slipperiness of ice and Mrs. Batty, on her hospitable journeys to and fro, was in constant danger of a fall.

The society of Radstowe, all in new garments, appeared to Henrietta of a dazzling brilliance, but she stood easily, holding her head high, as though she were well used to this kind of glory. Looking round, she saw Francis Sales leaning against a wall, talking to his partner and smiling with unnecessary amiability. A flame of jealousy flickered hotly through her body. How could he smile like that? Why did he not come to her? And then, in the pride of her secret love, she remembered that he dare not show his eagerness. They belonged to each other, they were alone in their love, and all these people, talking, laughing, fluttering fans, thinking themselves of immense importance, had no real existence. He and she alone of all that company existed with a fierceness that changed the sensuous dance-music into the cry of essential passion.

Young men approached her and wrote their initials on her programme which was already marked with little crosses against the numbers she had promised to Francis Sales. Charles Batty, rather hot, anxious and glowering, arrived too late. His angry disgust, his sense of desertion, were beyond words. He stared at her. “And my flowers,” he demanded.