They said no more. Their path edged those woods which in their turn edged the gorge; but here and there the trees spread themselves more freely and, through the darkness, Henrietta had glimpses of furtive little paths, of dips and hollows. A small pool, thick with early fallen leaves, had hardly a foot of gleaming surface with which to gaze like an unwinking eye at the emerging stars. But this skirting of the wood came to an end and there stretched before their feet, which made the only sound in the quiet night, a broad white road where the arched gateway of a distant house looked like the fragment of a temple.
“I like this,” Henrietta said; “I feel safe.”
“Not for long,” Charles replied sternly. He opened a gate and through a little coppice they reached a fence. “You’ll have to climb it.” The broad fields on the other side were as dark as water and as still. It was surprising, when she jumped down, to find she did not sink, to find that she and Charles could walk steadily on this blackness, cut here and there by the deeper blackness of a hedge. There were no cows, but sheep stumbled up and bleated at their approach, and for some time the tinkling of the bell-wether’s bell accompanied them like music.
“There’s a stile here,” Charles said, and from this they plunged into another wood where birds fluttered and twittered and, in the undergrowth, there were small stealthy sounds.
“I wouldn’t come here alone,” Henrietta said, “for all the world.”
Charles said nothing. Mrs. Batty was right: it was like walking with a dumb man. They left the wood and walked downhill beside a ploughed field, and in the shelter of a high wall. An open lane brought them to a gate, the gate opened on a rough road through yet another wood of larch and spruce and fir. The road was deeply rutted and they walked in single file until Charles turned, saying, “This is what I’ve brought you to see. This is ‘The Monks’ Pool.’”
A large pond, almost round and strewn with dead leaves about its edge, lay sombrely on their right hand, without a movement, without a gleam. It was like a pall covering something secret, something which must never be revealed, and opposite, where the ground rose steeply, tall firs stood up, guardians of the unknown. Faint quackings came from some unseen ducks among the willows and water gurgled at the invisible outlet of the pond; there were little stirrings and sighings among the trees. The protruding roots of an oak offered a seat to Henrietta, and behind her Charles leaned against the trunk.
It was comfortable to have him there, to be able to look at this dark beauty without fear, and as she sat there she heard an ever-increasing number of little sounds; they were caused by she knew not what: small creatures moving among the pine needles, night birds on the watch for prey, water rats, the flop of fish, the fall of some leaf over-ripe on the tree, her own slow breathing, the muffled ticking of her heart; and into this orchestra of tiny instruments there came slowly, and as if it grew out of all these, another sound.
It was the voice of Charles, and it was so much a part of this rare experience, it seemed so right a complement, that at first she did not listen to the sense of what he said. The words had no clearer meaning than had the other voices of the night; the whole thing was wonderful —the tall, immobile trees, the small, secret sounds, the black lake like an immense, mysterious pall, the steady booming of the voice, had the effect of magic.
This was essential beauty revealed to her ears and eyes, but gradually the words formed themselves into sentences and were carried to her brain. She understood that Charles was talking of himself, of her, with an eloquence born of long-considered thoughts. He was telling her how she appeared to him as a being of light and sweetness and necessity; he was telling her how he loved her; he was asking for nothing, but he was saying amazing things in language worthy of his thoughts of her.